Part

 1 Intro |          many of the errors of the past.~With regard to China, Mr.
 2 Intro | constituted their greatness in the past, and are capable of bringing
 3 Intro |             For six or~seven years past, it has been sending its
 4 Intro |            Mediæval Revival of the past century in England. What
 5 Range |            leave us to seek only a past glory in the mouldy walls
 6 Range |        phases of the ideals of the past, in that spirit of living
 7 Range |         and effects throughout its past and present. Art with us,
 8 Confuc|            despotic tyrants of the past, shown~in the act of personal
 9 Buddhi|        between the Teacher and his past. Those elements of his realisation
10 Asuka |     mulberry trees, alone mark its past importance.~The one exception
11 Nara  |            thought was surging on, past that distant vision of the
12 Nara  |         remain to testify to their past magnificence. A Brahmin
13 Nara  |      flowers to the Buddhas~of the past, the present, and the future;"
14 Ashika|            love to distinguish the past development of art, though
15 Meiji |           alive the sense of their past grandeur, and had afforded
16 Meiji |         the raiment of her ancient past. To cut away those fetters
17 Meiji |          only to return to our own past ideals, but also to feel
18 Meiji |           gaze on the accomplished past and dimly-seen future -
19 Vista |             For the shadows of the past are the promise of the future.
20 Vista |        clue to her own future. Her past has been clear and continuous
21 Vista |          is true, returns upon her past, seeking there for the new
22 Vista |           of renewal~hidden in our past, we must admit that it needs