Part

 1 Intro |           statues, all the life and movement of the portrayal having
 2 Intro |          through the straits - that movement which probably commenced
 3 Range |     scholasticism, is developed the movement which we have designated
 4 Taoism|            be carried by the Laoist movement. Neither Laotse-Soshi, nor
 5 Buddhi|      Gandhara fall into the general movement, for Kanishka and the Gettaes,
 6 Buddhi|            of objective research, a movement whose poetic impulse~reaches
 7 Buddhi|             side with its companion movement, penetrated Burmah and Siam.,
 8 Asuka |   culmination of the first Buddhist movement, which is sometimes called
 9 Asuka |            therefore, we find a new movement in sculpture, which aims
10 Nara  |           the Chinese ideographs, a movement~which, in the eighth century,
11 Nara  |           further enforced the same movement in the beginning of the
12 Nara  |            new form of the Northern movement.~It is easy to understand,
13 Heian |           of physical rapture.~This movement was first represented in
14 Heian |      doctrine in China, carried the movement still further. The creed
15 Fujiwa|           its own reaction, and the movement of revolt coincided with
16 Fujiwa|        lotus-stem. Such was the new movement, which, however closely
17 Ashika| individualism of the epoch that the movement is succeeded by the rise
18 Tokuga|             to this artist that the movement was brought to a focus,
19 Meiji |        brush of Hokusai. A parallel movement occurred at the same time
20 Meiji |            the first reconstructive movement of the Meiji period was
21 Meiji |            Life true to Self." This movement resulted in the establishment