Part

 1 Intro |     carried on, besides Japanese painting and sculpture. The members
 2 Intro |        development of sculpture, painting, and architecture in China
 3 Confuc|       was to be determined.~Even painting was held in esteem for its
 4 Taoism|        first in poetry, first in painting, and first in foolishness."
 5 Taoism|          systematic criticism of painting and the first history of
 6 Taoism|         fact that in his day all painting was still on the early Asiatic
 7 Taoism|         Thus Confucius says "all painting is in the sequence of white."
 8 Taoism|      lost style of the Greeks in painting, - that style which was
 9 Taoism|        great Chinese or Japanese painting lies only in its expression
10 Nara  |          of the Laoist school of painting under the Tâng dynasty.~
11 Heian |   Kwannon of Hokkiji in Nara.~In painting, the twelve devas by Kukai,
12 Fujiwa| adherents of this idea.~Japanese painting, with its delicate lines
13 Fujiwa|       far as to imitate women in painting their faces and in their
14 Kamaku|    bronzes of Nara and Fujiwara.~Painting lent itself, besides portraiture,
15 Ashika|          colour in importance.~A painting, which is a universe in
16 Ashika|       important a subject than a painting of a single flower or a
17 Toyoto|  multitude~of pupils, worked on, painting the immense forests, the
18 Tokuga|      when all other artists were painting in ink, he had still maintained
19 Tokuga|       æsthetes, who considered a painting to he worthless when it
20 Meiji |      Kamakura period. Historical painting, enriched in material by