Part

 1 Primit|           designs of considerable artistic merit, and containing implements
 2 Primit|           grave, often attest the artistic ability of the primitive
 3 Primit|      notwithstanding her vigorous artistic instinct, had she been deprived
 4 Taoism| light-without forgetting that the artistic, and not the scientific,
 5 Asuka |        arrested development."~The artistic attempts of the period are
 6 Heian |        the forms represented.~The artistic works of the period are
 7 Ashika|          beauty the foundation of artistic excellence.~Next comes the
 8 Ashika|           the mirror in which the artistic mind could reflect itself.
 9 Ashika|         essential to all forms of artistic expression, for thus was
10 Ashika|           The natural tendency of artistic form under this influence
11 Toyoto|          Here the whole wealth of artistic decoration was lavished
12 Toyoto|       beginning to creep into the artistic mind even then.~This school,
13 Tokuga|     peasant, narrowed and cramped artistic creativeness also.~The Kano
14 Meiji |   distinguishes the religious and artistic life of the nation, as we
15 Meiji |   patriotic sacrifice, opened the artistic mind to a hitherto unknown
16 Meiji |        and symbols into which the artistic consciousness sinks, before
17 Meiji |        thus but the weapon of the artistic warfare; scientific knowledge
18 Meiji |        are the modes in which the artistic mind moves, a plan of campaign
19 Meiji |      under this new conception of artistic freedom. The lamented Kano
20 Meiji |        India, not to speak of the artistic activity of the West, which