Part

 1 Intro |  besides Japanese painting and sculpture. The members attempt to
 2 Intro | influencing the development of sculpture, painting, and architecture
 3 Intro |        of the Greeks on Indian sculpture. Representing, as he does,
 4 Asuka |      of Roman architecture and sculpture.~With regard to building,
 5 Asuka |     the court of Vikramaditya.~Sculpture seems to have followed a
 6 Asuka |     distinct school of Chinese sculpture is~manifest from the records
 7 Asuka |      enforcing of the style of sculpture evolved by the Gettae in
 8 Asuka |     the rigid calm of Egyptian sculpture. Yet, with all these drawbacks,
 9 Asuka |      we find a new movement in sculpture, which aims at softening
10 Nara  |       to a similar expression. Sculpture is, par excellence, the
11 Nara  |   remarkable for its wealth of sculpture, which begins with the bronze
12 Nara  |        hundred years ago, when sculpture was at its lowest ebb and
13 Heian |        his Vrihat Samhita, and sculpture in the Manasara. In erecting
14 Heian |     development. Architecture, sculpture, and the whole arrangement
15 Heian |      the best specimens of the sculpture of this period is the Yakshi
16 Fujiwa|      now kept in Koyashan.~The sculpture of the period rose to its
17 Kamaku|    claim the foremost place in sculpture. Among these may be mentioned
18 Meiji |      area hitherto unexplored.~Sculpture and other arts follow closely