Part

 1 Intro |       united living organism, each part dependent on all the others,
 2 Range |         works written for the most part in Northern Bengal after
 3 Primit|          Mirror and the Sword form part of the Imperial insignia,
 4 Confuc| feudalistic kingdoms of the latter part of the Shu power. They had
 5 Confuc|     imagery which were an integral part of the Hâng consciousness,
 6 Confuc|         who belonged to the latter part of the Hâng dynasty. These
 7 Confuc|   instinctive subordination of the part to the whole, was necessarily
 8 Taoism|          this era and of the early part of the Six Dynasties (265
 9 Taoism|        poet-painter, of the latter part of the fourth century, who
10 Taoism|           and Sokensi in the early part of the Six Dynasties. They
11 Buddhi|             which led for the most part to negative conclusions.~
12 Asuka |             near Loyang. They form part of the cave-temples which
13 Ashika|           meaning than the painted part itself.~The Sung dynasty
14 Ashika|         Bugaku music of the latter part of the~paragraph continues]
15 Meiji |           barbarians. It was their part to struggle and stem slowly
16 Meiji |         always to play an original part, be it of tragedy or comedy,