Part

 1 Intro |     1897 it was insisted that European methods should become increasingly
 2 Taoism|      refrain from saying that European work, by following the later
 3 Buddhi|   influence of the Greeks, as European archæologists are wont to
 4 Buddhi|     not only a scholar in the European university sense of the
 5 Asuka |     classes, and, assisted by European influence, the advent of
 6 Kamaku| romance akin to the spirit of European individualism in the time
 7 Ashika|      The three terms by which European scholars love to distinguish
 8 Tokuga|   study which it initiated of European realistic art. Matteo-Ricci
 9 Meiji |     particular, and the other European science, with her organised
10 Meiji |    the greatest difficulties. European methods of warfare, which
11 Meiji |   seek passage in those stray European vessels which chanced now
12 Meiji |   which this frenzied love of European institutions was committing
13 Meiji |      elements of contemporary European civilisation that she required.
14 Meiji |      art which reached us was European at its lowest ebb-before
15 Meiji |       Wagner and the Northern European poets, and their pictures