Part

 1 Taoism|  from satisfied. At last an artist appeared, who burst rudely
 2 Asuka |   elsewhere as a celebrated artist in the middle of the seventh
 3 Nara  |   at its lowest ebb and the artist had lost all idea of the
 4 Kamaku|     attributed to Keion, an artist whose very existence is
 5 Ashika| spectator made one with the artist. The uncovered silken end
 6 Ashika|    century, himself a great artist and a patron, had shown
 7 Ashika|     and calm which no other artist ever gives.~To Sesson, on
 8 Tokuga|   not he was an indifferent artist, had under him students
 9 Tokuga|      which would~reduce the artist to the position of a common
10 Tokuga|     Chinnan-ping, a Chinese artist of this school who was noted
11 Tokuga|   brush. It was due to this artist that the movement was brought
12 Tokuga|   called the representative artist of this period.~Goshun,
13 Meiji |    greatest privilege of an artist, but freedom always in the
14 Meiji |    is what we demand of the artist. It follows that the feeling