Part

 1 Taoism| Protogenes, that master of~strong line, who could, as they say,
 2 Taoism|        structural composition and line expression, though it has
 3 Taoism|       representation. The idea of line and line-composition has
 4 Taoism|     period, is the worship of the line, pure and simple. Each stroke
 5 Nara  |          by Taiso, added a fourth line of communication to the
 6 Kamaku|       vigour of its return to the line, and by the virility and
 7 Toyoto|    artists of rank in the highest line - yet they delighted to
 8 Toyoto|       colour more as mass than as line, as former colourists had
 9 Tokuga|         stand apart from the main line of development of Japanese
10 Meiji |      follows that the feeling for line, chiaro-oscuro ~as beauty,