Part

1 Primit|     never been overwhelmed. Imitation has never taken the place
2 Taoism|     a stage chiaroscuro and imitation of Nature were brought in
3 Toyoto| because the Nikko is a mere imitation of what artists call now
4 Meiji |    was the preservation and imitation of the ancient masters,
5 Meiji | Japanese attempt at Western imitation which was inaugurated in
6 Meiji |     the ideal nor the real. Imitation, whether of nature, of the
7 Meiji |     of idealism, and not of imitation, is the raison d’être of