Dialogue

 1 Charm   |             which he has rendered to Greek Literature.~Balliol College,
 2 Charm   |             without reference to the Greek, the English being really
 3 Charm   |            convert the more abstract Greek into the more concrete English,
 4 Charm   |       composition, is omitted in the Greek, but is necessary to make
 5 Charm   |          termed the interests of the Greek and English are often at
 6 Charm   |             the exact meaning of the Greek; when we return to the Greek
 7 Charm   |         Greek; when we return to the Greek we are apt to cramp and
 8 Charm   |           fundamental differences in Greek and English, of which some
 9 Charm   |                 The structure of the Greek language is partly adversative
10 Charm   |         preserving the effect of the Greek is increased by the want
11 Charm   |              same sentence where the Greek repeats (Greek). There is
12 Charm   |             where the Greek repeats (Greek). There is a similar want
13 Charm   |              and subjective thought—(Greek) and the like, which are
14 Charm   |           thickly scattered over the Greek page. Further, we can only
15 Charm   |          common distinction between (Greek), and the combination of
16 Charm   |       English is more dependent than Greek upon the apposition of clauses
17 Charm   |            emphasis in English as in Greek.~2 The formation of the
18 Charm   |         paragraph greatly differs in Greek and English. The lines by
19 Charm   |             poetry or prose; it was (Greek). The balance of sentences
20 Charm(2)|                       The decline of Greek Literature.~
21 Charm   |       females. Now the genius of the Greek language is the opposite
22 Charm   | personification which is seen in the Greek mythology is common also
23 Charm   |            difficulty in translating Greek into English which cannot
24 Charm   |             it.’ Collective nouns in Greek and English create a similar
25 Charm   |              is far more extended in Greek than in English. Partly
26 Charm   |        simpler and more natural. The Greek appears to have had an ear
27 Charm   |            and in order to bring the Greek down to the level of the
28 Charm   |           same precision required in Greek as in Latin or English,
29 Charm   |              English, nor in earlier Greek as in later; there was nothing
30 Charm   |           more intelligible than the Greek. The want of more distinctions
31 Charm   |           the same sentence. But the Greek has no such precise rules;
32 Charm   |             literal translation of a Greek author is full of tautology.
33 Charm   |         thought of the original. The Greek of Plato often goes beyond
34 Charm   |              imagery: compare Laws, (Greek); Rep.; etc. Or again the
35 Charm   |            nearest equivalent to the Greek, may be found to include
36 Charm   |        include associations alien to Greek life: e.g. (Greek), ‘jurymen,’ (
37 Charm   |           alien to Greek life: e.g. (Greek), ‘jurymen,’ (Greek), ‘the
38 Charm   |            e.g. (Greek), ‘jurymen,’ (Greek), ‘the bourgeoisie.’ (d)
39 Charm   |         always to translate the same Greek word by the same English
40 Charm   |            why in the New Testament (Greek) should always be rendered ‘
41 Charm   |        rendered ‘righteousness,’ or (Greek) ‘covenant.’ In such cases
42 Charm   |        varying them by an ‘or’—e.g. (Greek), ‘science’ or ‘knowledge,’ (
43 Charm   |            science’ or ‘knowledge,’ (Greek), ‘idea’ or ‘class,’ (Greek), ‘
44 Charm   |          Greek), ‘idea’ or ‘class,’ (Greek), ‘temperance’ or ‘prudence,’—
45 Charm   |             are intended not for the Greek scholar but for the general
46 Charm   |             which corresponds to the Greek Dialogue; nor is the English
47 Charm   |              constant repetition of (Greek), etc., which Cicero avoided
48 Charm   |          give offence to the reader. Greek has a freer and more frequent
49 Charm   |             and place, the spirit of Greek philosophy. There is, however,
50 Charm   |              of the classical age of Greek literature are forgeries. (
51 Charm   |           Nor is there an example in Greek antiquity of a series of
52 Charm   |             a different form by the (Greek) and the (Greek) of the
53 Charm   |              by the (Greek) and the (Greek) of the Philebus. The (Greek)
54 Charm   |         Greek) of the Philebus. The (Greek) of the Philebus is the
55 Charm   |             form and measure to the (Greek); and in the ‘Later Theory’
56 Charm   |           Theory’ is held to be the (Greek) or (Greek) which converts
57 Charm   |           held to be the (Greek) or (Greek) which converts the Infinite
58 Charm   |             ideas. They are neither (Greek) nor (Greek), but belong
59 Charm   |             are neither (Greek) nor (Greek), but belong to the (Greek)
60 Charm   |           Greek), but belong to the (Greek) which partakes of both.~
61 Charm   |          with the summum genus, the (Greek), in the Parmenides his
62 Charm   |          Charmides is Temperance or (Greek), a peculiarly Greek notion,
63 Charm   |             or (Greek), a peculiarly Greek notion, which may also be
64 Charm   |     Moderation (Compare Cic. Tusc. ‘(Greek), quam soleo equidem tum
65 Charm   |             the philosophy of Plato (Greek) still retains an intellectual
66 Charm   |             said to have identified (Greek) with (Greek): Xen. Mem.)
67 Charm   |             identified (Greek) with (Greek): Xen. Mem.) and is not
68 Charm   |            spirit of Socrates and of Greek life generally, proposes
69 Charm   |        Dialogue may be noted (1) The Greek ideal of beauty and goodness,
70 Charm   |          know’ and ‘that you know,’ (Greek;) here too is the first
71 Charm   |     reputation is characteristically Greek, and contrasts with the
72 Charm   |            be called by the name of (Greek). Hence we see with surprise
73 Charm   |              two senses of the word (Greek), or temperance. From the
74 Charm   |          intellectual conception of (Greek), which is declared also
75 Charm   |      distinction of Critias between (Greek), none of them are merely
76 Charm   |          called dialogues of search (Greek), which have no conclusion. (
77 Charm   |             just now mentioning, the Greek physicians are quite right
78 Charm   |        observe that the word ‘make’ (Greek), in Greek, has also the
79 Charm   |              word ‘make’ (Greek), in Greek, has also the sense of ‘
80 Charm   |              also the sense of ‘do’ (Greek).), said he; did I ever
81 Charm   |          good; and that the makings (Greek) of the good you would call
82 Charm   |          good you would call doings (Greek), for I am no stranger to
83 Charm   |            and as the letters imply (Greek), and yet they may be easily
84 Charm   |             after the comparative in Greek, (Greek), creates an unavoidable
85 Charm   |           the comparative in Greek, (Greek), creates an unavoidable