Dialogue

 1 Charm|    possession of it in an inferior form, and still more keenly by
 2 Charm|      begins to take shape. He must form a general idea of the two
 3 Charm|        adversative and inferential form: they have fewer links of
 4 Charm|           difficulty in using this form of construction owing to
 5 Charm| resemblances to the male or female form, or some analogy too subtle
 6 Charm|     meaning or the least change of form from a substantive to an
 7 Charm|          readiness to the dialogue form. Most of the so-called English
 8 Charm|           in lending itself to the form of question and answer,
 9 Charm|        expressed under a different form by the (Greek) and the (
10 Charm|          the principle which gives form and measure to the (Greek);
11 Charm|         down to us in an authentic form like most of the dialogues
12 Charm|         the transient, in whatever form of words expressed, are
13 Charm|     acceptable because it seems to form a link between ancient and
14 Charm|      relation to themselves in the form of that object. Whether
15 Charm|           you will soon be able to form a judgment. For those who
16 Charm|            you could see his naked form: he is absolutely perfect.~
17 Charm|           of Glaucon, your outward form is no dishonour to any of
18 Charm|            which may enable you to form a notion of her. Is not
19 Charm|            order, then, that I may form a conjecture whether you