Dialogue

 1 Craty|        Plato wrote satires in the form of dialogues, and his meaning,
 2 Craty|           writing a comedy in the form of a prose dialogue? And
 3 Craty|         consideration of them may form a convenient introduction
 4 Craty|           may be moulded into any form. He wanders on from one
 5 Craty|          are only a semi-mythical form, in which he attempts to
 6 Craty|         to answer in material and form to the several kinds of
 7 Craty|           the judge of the proper form? The judge of shuttles is
 8 Craty|          is implied in the double form, Dios, Zenos, which being
 9 Craty|        with esia, which is an old form of ousia, and means the
10 Craty|      elios, or the sun. The Doric form elios helps us to see that
11 Craty|       harmonized into selanaia, a form which is still in use. ‘
12 Craty|   genneteira (compare the Homeric form gegaasi); ora (with an omega),
13 Craty|        according to the old Attic form ora (with an omicron), is
14 Craty|      always going on—the original form was neoesis; sophrosune
15 Craty|        motion; but in its ancient form dion is expressive of good,
16 Craty|        expression of objects, and form them into syllables; and
17 Craty|         root, kiein, is a foreign form of ienai: of kinesis or
18 Craty|      alike, both in their outward form and in their inner nature
19 Craty|    thinking that the most perfect form of language is found only
20 Craty|            It is not difficult to form an hypothesis which by a
21 Craty|       best conception that we can form of it, though imperfect
22 Craty|         the literary or principal form of a language is better
23 Craty|    existed, except in a composite form. He may divide nouns and
24 Craty| principles, there is no primitive form or forms of language known
25 Craty|         more akin to the original form than the word, and that
26 Craty|        others, and the custom, or form, or accent, or quantity,
27 Craty|           a manner) in the latest form of it. And when, for the
28 Craty|        purposes of comparison, we form into groups the roots or
29 Craty|       time when in their abstract form they had never entered into
30 Craty|     language: but it was ‘without form and void.’ During how many
31 Craty|      crystallized in an imperfect form either from the influence
32 Craty|         life and grew, and in the form of languages came to be
33 Craty|           often combined so as to form composite notions, as for
34 Craty|        which represents the round form of the egg by the figure
35 Craty|         him to alter any received form of a word in order to render
36 Craty|          out of some dialect, the form which is already best adapted
37 Craty|        differences of meaning and form have arisen in them. Into
38 Craty|         other words, so that they form groups of nouns and verbs
39 Craty|       which lead sometimes to one form, sometimes to another (b)
40 Craty|          to express them; and the form or accent of a word has
41 Craty|         grammarian, if he were to form new words, would make them
42 Craty|     written down and in a written form distributed more or less
43 Craty|         excellence.~To poetry the form and polish of language is
44 Craty|           their thoughts in a set form of words having a kind of
45 Craty|           that words have a fixed form and sound. Lexicons assign
46 Craty|            or will he look to the form according to which he made
47 Craty|          of them to have the true form of the shuttle; and whatever
48 Craty|        work, that ought to be the form which the maker produces
49 Craty|         must express this natural form, and not others which he
50 Craty|         all of the same iron. The form must be the same, but the
51 Craty|         gives the true and proper form of the name in whatever
52 Craty|      determine whether the proper form is given to the shuttle,
53 Craty|           Tantalus; and into this form, by some accident of tradition,
54 Craty|           theounoa is a curtailed form of theou noesis, but the
55 Craty|         what they thought a nicer form, and called her Athene.~
56 Craty|          him the smooth or sacred form which dwells above among
57 Craty|           be clearer in the Doric form, for the Dorians call him
58 Craty|      comes out better when in the form of gaia, for the earth may
59 Craty|          perhaps have had another form, airete (eligible), indicating
60 Craty|          about which I can hardly form an opinion, and therefore
61 Craty|          is more obscure; yet the form is only due to the quantity,
62 Craty|     observe that only the ancient form shows the intention of the
63 Craty|           you restore the ancient form, which is more likely to
64 Craty|       advantage; and the original form may be supposed to have
65 Craty|          letters; and so we shall form syllables, as they are called,
66 Craty|         kiein, which is a foreign form, the same as ienai. And
67 Craty|        would make of your outward form and colour, but also creates
68 Craty|     places them by you in another form; would you say that this
69 Craty|        depart from their original form, they can never change or