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plant 1
plants 2
plastic 1
plato 55
platonic 4
platonized 1
plausible 2
Frequency    [«  »]
63 great
56 am
55 being
55 plato
55 right
55 yet
54 natural
Plato
Cratylus

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plato
   Dialogue
1 Craty| perplexity to the student of Plato. While in fancy and humour, 2 Craty| We need not suppose that Plato used words in order to conceal 3 Craty| precise aim of the author. Plato wrote satires in the form 4 Craty| we should have understood Plato better, and many points 5 Craty| most of the dialogues of Plato, allowance has to be made 6 Craty| guessing, but the guesses of Plato are better than all the 7 Craty| hardly derives any light from Plato’s other writings, and still 8 Craty| century. May we suppose that Plato, like Lucian, has been amusing 9 Craty| result of the enquiry? Is Plato an upholder of the conventional 10 Craty| strongly insisted on by Plato in many other passages)... 11 Craty| the parts of a dialogue of Plato to tend equally to some 12 Craty| nearly all the works of Plato, but to the Cratylus and 13 Craty| some of the dialogues of Plato may be more truly viewed:— 14 Craty| or wholly wrong, or that Plato, though he evidently inclines 15 Craty| the friend or teacher of Plato; nor have we any proof that 16 Craty| resembled the likeness of him in Plato any more than the Critias 17 Craty| more than the Critias of Plato is like the real Critias, 18 Craty| We can hardly say that Plato was aware of the truth, 19 Craty| which he thus describes, Plato had probably no very definite 20 Craty| not have been formed in Plato’s age, than that which he 21 Craty| thought that the mind of Plato is more truly seen in the 22 Craty| first, the desire to bring Plato’s theory of language into 23 Craty| based upon the ideas of Plato, but upon the flux of Heracleitus. 24 Craty| the Sophist and Politicus, Plato expressly draws attention 25 Craty| Socrates is not the less Plato’s own, because not based 26 Craty| upon the ideas; 2nd, that Plato’s theory of language is 27 Craty| that they are serious. For Plato is in advance of his age 28 Craty| either weak or extravagant. Plato is a supporter of the Onomatopoetic 29 Craty| phase of the philosophy of Plato, and would have been regarded 30 Craty| Such is the character which Plato intends to depict in some 31 Craty| as would have justified Plato in propounding real derivations. 32 Craty| to the indignation which Plato felt at having wasted his 33 Craty| now consider (I) how far Plato in the Cratylus has discovered 34 Craty| anticipations of his genius.~I. (1) Plato is aware that language is 35 Craty| Compare Timaeus.)~Neither is Plato wrong in supposing that 36 Craty| There is no trace in any of Plato’s writings that he was acquainted 37 Craty| wind and cold, and so on. Plato’s analysis of the letters 38 Craty| movement of the tongue, Plato makes a great step in the 39 Craty| him the distinction.~(4) Plato distinctly affirms that 40 Craty| this and other passages Plato shows that he is as completely 41 Craty| them to be our masters.~Plato does not add the further 42 Craty| escaped the observation of Plato. He is not aware that the 43 Craty| no more trace of this in Plato than there is of a language 44 Craty| grandeur of the sound.’ Plato was very willing to use 45 Craty| the character of Socrates, Plato envelopes the whole subject 46 Craty| perfection of Homer and Plato. Yet we are far from saying 47 Craty| familiar to Socrates and Plato. (5) There is the fallacy 48 Craty| many times over.~(Compare Plato, Laws):—~‘ATHENIAN STRANGER: 49 Craty| standing on his right hand,’ in Plato’s striking image, who formed 50 Craty| respect falling short of Plato. Westphal holds that there 51 Craty| have a significance; as Plato observes that the letter 52 Craty| their English equivalents. Plato also remarks, as we remark, 53 Craty| to us. Hence we see why Plato, like ourselves unable to 54 Craty| admit with Hermogenes in Plato and with Horace that usage 55 Craty| writer with the exception of Plato, who is himself not free


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