Dialogue

 1 Craty|          in sound of things. In a sense, Cratylus is right in saying
 2 Craty|  seriously; blending inextricably sense and nonsense; sometimes
 3 Craty|          the argument from common sense, remains unconvinced, and
 4 Craty|           this does not alter the sense of the word, or prevent
 5 Craty|           quasi koros, not in the sense of a youth, but quasi to
 6 Craty|         to be taken in the vulgar sense of gainful, but rather in
 7 Craty|   ordinarily written, has an evil sense, signifying the chain (desmos)
 8 Craty|         one case appealing to his sense of sight, and in the other
 9 Craty|           and in the other to his sense of hearing;—may he not? ‘
10 Craty|           many words having a bad sense, which are connected with
11 Craty|          determine. But no man of sense will put himself, or the
12 Craty|        the idea and the object of sense, becomes complete. At a
13 Craty|           Eleatics, but no man of sense would commit his soul in
14 Craty|          of experience and common sense. An analogy, a figure of
15 Craty|       were more flexible, and the sense of hearing finer and more
16 Craty|     becoming perfected. The finer sense detects the differences
17 Craty|         sound again echoes to the sense; men find themselves capable
18 Craty|           have seemed to lose the sense of their own individuality
19 Craty|           owing to climate or the sense of euphony or other causes,
20 Craty| interruption of them? Now in this sense we may truly say that we
21 Craty|        much more nearly allied to sense. It is not likely that the
22 Craty|           sound is an echo of the sense? Why does the meaning of
23 Craty|            To the ear which had a sense of harmony it became a barbarism
24 Craty|          sound is the echo of the sense, especially in poetry, in
25 Craty|         it more expressive of the sense. He can only select, perhaps
26 Craty|      verbs analogous in sound and sense to one another, each noun
27 Craty|          not say that we know how sense became first allied to sound;
28 Craty|        may easily pass into a new sense: a new meaning caught up
29 Craty|         rest. The good or neutral sense of a word, such as Jesuit,
30 Craty|     feminine gender to objects of sense and abstract ideas as well
31 Craty|         are as often applied in a sense which the author did not
32 Craty|      associations of sound and of sense by which every word is linked
33 Craty|    whether it is used in the same sense even in two successive sentences. (
34 Craty|         to be a namer in any true sense? And we must remember that
35 Craty|     Choreo, to sweep), not in the sense of a youth, but signifying
36 Craty|        principle which, as men of sense, we must acknowledge,—that
37 Craty|      air-flux (aetorroun), in the sense of wind-flux (pneumatorroun);
38 Craty|          they use the word in the sense of swift. You regard the
39 Craty|         give an entirely opposite sense; I may instance the word
40 Craty|           I mean bring before the sense of sight.~CRATYLUS: Certainly.~
41 Craty|           I not then bring to his sense of hearing the imitation
42 Craty|        sumphora, which have a bad sense, viewed in the light of
43 Craty|           words which have a good sense (compare omartein, sunienai,
44 Craty|         we find to have the worst sense, will turn out to be framed
45 Craty|          determine; and no man of sense will like to put himself