Dialogue

 1 Craty|         the imitation of ideas in sounds; he also recognises the
 2 Craty|           not correspond to their sounds, with the exception of epsilon,
 3 Craty|           would be mere unmeaning sounds, like the hammering of a
 4 Craty|          them all the appropriate sounds, or only some of them. And
 5 Craty|           so he who gives all the sounds makes a good name, and he
 6 Craty|           has created the picture sounds which represent natural
 7 Craty|           of analogous or similar sounds, in order to express similar
 8 Craty|         observations on words and sounds. ‘The Eretrians say sklerotes
 9 Craty|     microscopic; twenty or thirty sounds or gestures would be enough
10 Craty|       process the articulation of sounds is gradually becoming perfected.
11 Craty|           reciprocal influence of sounds and conceptions on each
12 Craty|       first rude agglomeration of sounds that they may be replaced
13 Craty|           men to utter articulate sounds were inspired. Yet in making
14 Craty|       dumb who have words without sounds, of the various disorders
15 Craty|       mere mechanical cohesion of sounds or words, and the ‘chemical’
16 Craty|      uttering a certain number of sounds. Every man has tongue, teeth,
17 Craty|       laid bare; the relations of sounds have been more accurately
18 Craty|          the same meaning. No two sounds are exactly of the same
19 Craty|      possess the power of varying sounds by opening and closing the
20 Craty|         is said to be insensible: sounds, like animals, are supposed
21 Craty|         some of the laws by which sounds pass into one another. We
22 Craty|     animals, from the analysis of sounds in relation to the organs
23 Craty|        mingled with more definite sounds recognized by custom as
24 Craty|         had the same meaning. The sounds by which they were expressed
25 Craty| displacement and contamination of sounds and the meanings of words,
26 Craty|      expressiveness of particular sounds. Such notions were certainly
27 Craty|           of one of two competing sounds; but these expressions do
28 Craty|      origin of species, how vocal sounds received life and grew,
29 Craty|       imitations of other natural sounds, but as symbols of ideas
30 Craty|    regulated the juxtaposition of sounds and the cadence of sentences.
31 Craty|           parallel composition of sounds in their English equivalents.
32 Craty|        words are attracted by the sounds and senses of other words,
33 Craty|           in ascertaining how the sounds and meanings of words were
34 Craty|     require that the intermediate sounds or meanings of words should
35 Craty|          on the ear that the same sounds should be used twice over,
36 Craty|          in which all is relative—sounds to sounds, words to words,
37 Craty|         all is relative—sounds to sounds, words to words, the parts
38 Craty|           name of each thing into sounds and syllables, and to make
39 Craty|         our forefathers loved the sounds iota and delta, especially
40 Craty|  elementary, and then of compound sounds, and when they have done
41 Craty|           and I were saying about sounds. Do you agree with me that