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Dialogue
1 Phaedr| the whole philosophy of Plato on the nature of love, which 2 Phaedr| in the later writings of Plato is only introduced playfully 3 Phaedr| work of a great artist like Plato cannot fail in unity, and 4 Phaedr| rule was not observed by Plato. The Republic is divided 5 Phaedr| Thus the comparison of Plato’s other writings, as well 6 Phaedr| rhetoric. But the truth is that Plato subjects himself to no rule 7 Phaedr| tended to obscure some of Plato’s higher aims.~The first 8 Phaedr| living Greece no more.’~Plato has seized by anticipation 9 Phaedr| due to the imagination of Plato, and may be compared to 10 Phaedr| Dialogues, and the gravity of Plato has sometimes imposed upon 11 Phaedr| monotony of the style.~But Plato had doubtless a higher purpose 12 Phaedr| discussions about love, what Plato says of the loves of men 13 Phaedr| to ourselves the words of Plato. The use of such a parody, 14 Phaedr| him. Like the Scriptures, Plato admits of endless applications, 15 Phaedr| literary interest. And in Plato, more than in any other 16 Phaedr| at one time of his life Plato was quite serious in maintaining 17 Phaedr| exercised over the mind of Plato, we see that there was no 18 Phaedr| in the representation of Plato.~Thus far we may believe 19 Phaedr| far we may believe that Plato was serious in his conception 20 Phaedr| would be at variance with Plato himself and with Greek notions 21 Phaedr| like the other myths of Plato, describes in a figure things 22 Phaedr| the expression partly of Plato’s enthusiasm for the idea, 23 Phaedr| which were not perceived by Plato himself. For example, when 24 Phaedr| there is no indication in Plato’s own writings that this 25 Phaedr| whether the love of which Plato speaks is the love of men 26 Phaedr| enough away from the mind of Plato. These and similar passages 27 Phaedr| with the sterner rule which Plato lays down in the Laws. At 28 Phaedr| unmeaning to suppose that Plato, in describing the spiritual 29 Phaedr| the one from the other. Plato, with his great knowledge 30 Phaedr| the higher love, of which Plato speaks, is the subject, 31 Phaedr| fairest works of Greek art, Plato ever conceived himself to 32 Phaedr| prolific in hard names. When Plato has sufficiently put them 33 Phaedr| literature in the age of Plato was degenerating into sophistry 34 Phaedr| latter view has probably led Plato to the paradox that speech 35 Phaedr| compared in the manner which Plato suggests. The contrast of 36 Phaedr| believe to have passed before Plato’s mind when he affirmed 37 Phaedr| years before the birth of Plato. The first of the two great 38 Phaedr| Isocrates was thirty and Plato twenty-three years of age, 39 Phaedr| not to reflect how easily Plato can ‘invent Egyptians or 40 Phaedr| himself is the enemy of Plato and his school? No arguments 41 Phaedr| inappropriateness of the characters of Plato. (Else, perhaps, it might 42 Phaedr| Isocrates than of Lysias.) But Plato makes use of names which 43 Phaedr| attached to the argument that Plato must have visited Egypt 44 Phaedr| late but unknown period of Plato’s life, after he had deserted 45 Phaedr| remarkable as showing that Plato was entirely free from what 46 Phaedr| mythology hidden meanings. Plato, with a truer instinct, 47 Phaedr| also a poetical sense in Plato, which enable him to discard 48 Phaedr| who honour them on earth, Plato intends to represent an 49 Phaedr| appreciate the dialogues of Plato, especially the Phaedrus, 50 Phaedr| of the main purposes of Plato in the Phaedrus is to satirize 51 Phaedr| of wealth or power; but Plato finds nothing wholesome 52 Phaedr| were very distasteful to Plato, who esteemed genius far 53 Phaedr| overspread all Hellas; and Plato with prophetic insight may