Dialogue

 1 Phaedr|    dove, or the winged one, in order to represent the force of
 2 Phaedr|       than before: I did so in order to please Phaedrus. If I
 3 Phaedr|       Lysias; nor is there any order or connection in his words
 4 Phaedr|   remains are but scanty after order and arrangement have been
 5 Phaedr|        manner, as he says, ‘in order to please Phaedrus.’ The
 6 Phaedr|      of poetry does not forget order, is an illustration of the
 7 Phaedr|       in another; and the true order of speech or writing proceeds
 8 Phaedr|   which amid poetical figures, order and arrangement were not
 9 Phaedr|      eradicated, is reduced to order and measure. We must not
10 Phaedr|     the nature of love, and no order in the topics (being in
11 Phaedr|       chremata) and no Mind or Order. Then again in the noble
12 Phaedr|      the cause of all that, in order that we may exhibit Him
13 Phaedr|     course of the Dialogue, in order to preserve the scene in
14 Phaedr|       hateful to other men, in order to please his beloved;—that,
15 Phaedr|     desires me to rehearse, in order that his friend whom he
16 Phaedr|       march in their appointed order. They see many blessed sights
17 Phaedr|      of the mind which lead to order and philosophy prevail,
18 Phaedr|      next topic follow next in order, or any other topic? I cannot
19 Phaedr| summing up of the arguments in order to remind the hearers of
20 Phaedr|     argument applied to him in order to convince him of a certain
21 Phaedr|      acting before men, but in order that he may be able to say
22 Phaedr|       they are only recited in order to be believed, and not