Dialogue

 1 Phaedr|         spiritual and emotional part is elevated into the ideal,
 2 Phaedr|      the ‘other’ or ‘non-lover’ part of the speech had better
 3 Phaedr|        assembly; it is rather a part of the art of disputation,
 4 Phaedr| supposed to have arranged every part of the dialogue before he
 5 Phaedr|          would not the younger ‘part of the world be ready to
 6 Phaedr|    taken unawares and desire to part company. Better, he would
 7 Phaedr|        which is for the greater part an allegory, and an allegory
 8 Phaedr|       now pass on to the second part of the Dialogue, which is
 9 Phaedr| Phaedrus, chiefly in the latter part, he aims his shafts at the
10 Phaedr|     disappearance of the larger part of them, while the Greek
11 Phaedr|       public benefactor. For my part, I do so long to hear his
12 Phaedr|  superiority or equality on the part of his beloved; he is always
13 Phaedr|         in need; and he who has part in this gift, and is truly
14 Phaedr|        the palm. And we, on our part, will prove in answer to
15 Phaedr|        is suited to the highest part of the soul; and the wing
16 Phaedr|         justice and goodness we part company and are at odds
17 Phaedr|      joint is, not breaking any part as a bad carver might. Just