Dialogue

 1 Phileb|      any other pleasures. As in art and knowledge generally,
 2 Phileb|       modern formula—science is art theoretical, art is science
 3 Phileb|     science is art theoretical, art is science practical. In
 4 Phileb|        in which Gorgias and his art are spoken of in the two
 5 Phileb|      far from implying that the art of rhetoric has a real sphere
 6 Phileb|        and assigned them to the art of grammar.~‘But whither,
 7 Phileb|        we mingle the impure—the art which uses the false rule
 8 Phileb|       all philosophy and of all art the true understanding is
 9 Phileb|         to be very tyros in the art of disputing; and the argument
10 Phileb|     difference between the mere art of disputation and true
11 Phileb|  infinite are we perfect in the art of speech, but the knowledge
12 Phileb|   assigned to them all a single art, and this he called the
13 Phileb|          and this he called the art of grammar or letters.~PHILEBUS:
14 Phileb| knowledge and understanding and art, and the like. There was
15 Phileb|       our bodies souls, and the art of self-management, and
16 Phileb|      the truth, not by rules of art, but by an instinctive repugnance
17 Phileb| weighing be taken away from any art, that which remains will
18 Phileb|        which is commonly called art, and is perfected by attention
19 Phileb|        Very true.~SOCRATES: The art of the builder, on the other
20 Phileb|        in other branches of the art of carpentering, the builder
21 Phileb|         And when we compare the art of mensuration which is
22 Phileb|  philosophical geometry, or the art of computation which is
23 Phileb|    first designate a particular art by a common term, thus making
24 Phileb|    believe in the unity of that art; and then again, as if speaking
25 Phileb|  proceed to enquire whether the art as pursed by philosophers,
26 Phileb|      give to all masters of the art of misinterpretation?~PROTARCHUS:
27 Phileb|    maintain, Socrates, that the art of persuasion far surpassed
28 Phileb|     humble and little useful an art. And as for Gorgias, if
29 Phileb|        you do not deny that his art has the advantage in usefulness
30 Phileb|       that any other science or art has a firmer grasp of the
31 Phileb|     truer than another, and one art to be more exact than another.~
32 Phileb|        the impure and uncertain art which uses the false measure