Dialogue

 1 Intro|   visible and corporeal is most real. But they are not the same,
 2 Intro|    element from its like is the real cause of heaviness or of
 3 Intro|         were regarded by him as real powers or entities, to which
 4 Intro|      And so there began to be a real sympathy between the world
 5 Intro|   motion everywhere; and to the real connexion which existed
 6 Intro| maintain that Greek art was not real or great, because it had
 7 Intro| vanished into the distance. The real creation began, not with
 8 Intro|   truest of all Being, the most real of all realities, the most
 9 Intro|         or first compounds. The real elements are two triangles,
10 Intro|      not the transformations of real solids, but of imaginary
11 Intro|      have an existence which is real and even eternal, although
12 Intro|      are capable. But this is a real interest and a serious lesson,
13 Intro|       to think that there is no real connexion between them.
14 Timae|   entrance, but that other is a real sea, and the surrounding
15 Timae|     likely and analogous to the real words. As being is to becoming,
16 Timae|       her are the likenesses of real existences modelled after
17 Timae|       is to be regarded as most real and certain. But we must
18 Timae|  spurious reason, and is hardly real; which we beholding as in
19 Timae|       it to the opposite of the real cause. And once more, when