The Apology
   Part
 1 Intro|       entirely different class of writers. The Apology of Plato is


Charmides
   Part
 2 PreS |          other hand, the greatest writers of Greece, Thucydides, Plato,
 3 PreS |         attained by the classical writers both in poetry or prose;
 4 PreS |  affectation, faults which of all writers Plato was most careful to


Cratylus
   Part
 5 Intro|           that of other satirical writers, has often slept in the
 6 Intro|       Scholiasts and Neoplatonist writers. Socrates must be interpreted
 7 Intro|        Smith, Rousseau, and other writers of the last century, would
 8 Intro|        found their way into later writers. Some of these are not much
 9 Intro|       Sterne, Jean Paul, Hamann,— writers who sometimes become unintelligible
10 Intro|            and particularly great writers, or works which pass into
11 Intro|           fancies of neoplatonist writers, now in the disguise of
12 Intro|    disturbing element. Like great writers in later times, there may
13 Intro|          of classical and popular writers. In our own day we have
14 Intro|     popular remark that our great writers are beginning to disappear:


The First Alcibiades
   Part
15 Intro|       unlike that which religious writers describe under the name


Laws
   Book
16 7    |         handed down to us by many writers of this class—what will
17 9    |        the legislator alone among writers to withhold his opinion
18 9    |       were legislators as well as writers? Is it not true that of
19 10   |         wise men, poets and prose writers, which find a way into the
20 10   |           both by poets and prose writers—these draw you aside from
21 11   |          into our state the comic writers who are so fond of making


Parmenides
   Part
22 Intro| remarkable passages in Plato. Few writers have ever been able to anticipate ‘
23 Intro|           place of facts, even by writers who profess to base truth


Phaedo
   Part
24 Intro|          the sufferings which the writers of Infernos and Purgatorios
25 Intro|         often remarked in ancient writers, and particularly in Aristotle.


Phaedrus
   Part
26 Intro|        and Sappho and other great writers, and is almost inclined
27 Intro|        day, alone against all the writers and readers of novels, to
28 Intro|    beginning with the Alexandrian writers and even before them in
29 Intro|         therefore it had no great writers. It was incapable of distinguishing
30 Intro|            The greatest classical writers are the least appreciated
31 Intro|         to be produced, the great writers of ancient or of modern
32 Text |      speaking or writing. But the writers of the present day, at whose
33 Text |       speeches—to Homer and other writers of poems, whether set to


Philebus
   Part
34 Intro|        and self-love. Some modern writers have also distinguished
35 Intro|           in a breath by the same writers who speak thus depreciatingly


Protagoras
   Part
36 Intro|        other. But Plato, like all writers of fiction, aims only at


The Republic
   Book
37 2    |      poets, but is found in prose writers. The universal voice of
38 2    |     establish a censorship of the writers of fiction, and let the
39 3    |        both, as, for example, the writers of tragedy and comedy-did
40 10   |        poets and first of tragedy writers; but we must remain firm


The Seventh Letter
   Part
41 Text |        least, I can say about all writers, past or future, who say


The Sophist
   Part
42 Intro|       which occur in contemporary writers, such as Xenophon and Isocrates.
43 Intro|           us, like the many other writers and talkers at Athens and
44 Intro|      Greek thought than all other writers put together. Many ideas


The Symposium
   Part
45 Intro|      Pelopidas, if we may believe writers cited anonymously by Plutarch,
46 Intro|           means), all the greater writers of Hellas who have been


Theaetetus
   Part
47 Intro|       Parmenides, and which later writers, in their matter of fact
48 Intro|         words are used. For later writers, including Aristotle in
49 Intro|    observation.~According to some writers the inward sense is only
50 Intro|    adjusted. The tendency of such writers has been to allow the personality


Timaeus
   Part
51 Intro|       written in verse; the prose writers, like Democritus and Anaxagoras,
52 Intro|       resemblance between the two writers. Similar gossiping stories
53 Intro|         few in Boethius and other writers. They remind us of the Timaeus,
54 Intro|        than voluntary. Like other writers on this subject, he is unable
55 Intro|       help of Aristotle and later writers, in criticizing the Timaeus
56 Intro|        certain French and Swedish writers, who delighted in heaping
57 Intro|         in which the more foolish writers, both of antiquity and of