The Apology
   Part
 1 Intro|            greatest and most public scene of his life, and in the
 2 Intro|             been absent at the last scene in the Phaedo. Is it fanciful
 3 Intro|            master in the last great scene? Did he intend to represent
 4 Text |           man who gets up a doleful scene and makes the city ridiculous,


Charmides
   Part
 5 Text |     Charmides, Chaerephon, Critias.~SCENE: The Palaestra of Taureas,


Cratylus
   Part
 6 Intro|          absent; the others act the scene over again when he returns


Critias
   Part
 7 Intro|          successively appear on the scene.~In the beginning the gods
 8 Text |          successively appear on the scene; but I must describe first


Crito
   Part
 9 Text |          DIALOGUE: Socrates, Crito.~SCENE: The Prison of Socrates.~


Euthydemus
   Part
10 Intro|      narrates to Crito a remarkable scene in which he has himself
11 Intro|             are invincible; and the scene concludes with a grand chorus
12 Intro|       demesman (Apol.), to whom the scene is narrated, and who once
13 Intro|          not only that the intended scene of the Euthydemus could
14 Text |            Dionysodorus, Ctesippus.~SCENE: The Lyceum.~CRITO: Who


Euthyphro
   Part
15 Text |      DIALOGUE: Socrates, Euthyphro.~SCENE: The Porch of the King Archon.~


Gorgias
   Part
16 Intro|            Callicles appears on the scene, at first maintaining that
17 Text |         Chaerephon, Gorgias, Polus.~SCENE: The house of Callicles.~


Ion
   Part
18 Text |         Troy or whatever may be the scene of the poem?~ION: That proof


Laches
   Part
19 Intro|             in the externals of the scene; the Laches has more play
20 Intro|         Plato treats facts. For the scene must be supposed to have


Laws
   Book
21 4    |          time to time appear on the scene?~Cleinias. Most true.~Athenian.


Lysis
   Part
22 Intro| accompaniments. Observe, first, the scene, which is a Greek Palaestra,
23 Text |      Hippothales, Lysis, Ctesippus.~SCENE: A newly-erected Palaestra


Phaedo
   Part
24 Intro|       struck by the calmness of the scene. Like the spectators at
25 Intro|         been the eye-witness of the scene, and by the sympathy of
26 Intro|           hair of Phaedo, the final scene in which Socrates alone
27 Text |            Attendant of the Prison.~SCENE: The Prison of Socrates.~


Phaedrus
   Part
28 Intro|            world transformed into a scene of heavenly beauty; a divine
29 Intro|        suggested by the surrounding scene. They are also the representatives
30 Intro|            in order to preserve the scene in the recollection of the
31 Text |       DIALOGUE: Socrates, Phaedrus.~SCENE: Under a plane-tree, by


Philebus
   Part
32 Intro|           they are removed from the scene, we feel that mankind has


Protagoras
   Part
33 Intro|            end.~In the introductory scene Plato raises the expectation
34 Intro|           The impressiveness of the scene should not be lost upon
35 Text |        Callias, a wealthy Athenian.~SCENE: The House of Callias.~COMPANION:


The Republic
   Book
36 1    |          who are mute auditors.~The scene is laid in the house of


The Statesman
   Part
37 Intro|        their last appearance on the scene: in the Laws Plato appears
38 Text |            class disappears and the scene changes?~YOUNG SOCRATES:


The Symposium
   Part
39 Intro|       attestation in the concluding scene; or the attachment of Aristodemus,
40 Text |   Alcibiades, A Troop of Revellers.~SCENE: The House of Agathon.~Concerning


Theaetetus
   Part
41 Intro|             In a short introductory scene, Euclides and Terpsion are
42 Intro|          picture of the surrounding scene, or by laying down the book
43 Intro|         sight of a place, between a scene clothed with associations