Charmides
   Part
 1 PreS | quantity, which is necessary in prose as well as in verse: clauses,
 2 PreS |         a legitimate element of prose writing, they may help to
 3 PreS |       writers both in poetry or prose; it was (Greek). The balance
 4 PreS |         finer quality; the mere prose English is slow in lending


Cratylus
   Part
 5 Intro|         comedy in the form of a prose dialogue? And what is the
 6 Intro|      and writing, of poetry and prose. We observe also the reciprocal
 7 Intro|  Sophocles or Pindar or a great prose writer like Thucydides are
 8 Intro|   accent and rhythm in verse or prose, the formation and composition
 9 Intro|         song, but of speech, in prose as well as verse. The old
10 Intro|          and of the language of prose and verse upon one another; (
11 Intro|        transition from verse to prose. At first mankind were contented
12 Intro|       the first introduction of prose had the charm of novelty.
13 Intro|       the charm of novelty. The prose romances into which the
14 Intro|     they were now superseded by prose, which in all succeeding
15 Intro|       all mankind. Henceforward prose and poetry formed each other.
16 Intro|  complicated period, and how in prose, rhythm and accent and the


Crito
   Part
17 Intro|        might disagree. Shelley (Prose Works) is of opinion that


Gorgias
   Part
18 Intro|         and writing, poetry and prose. But he has discovered a


Laws
   Book
19 7    |    strains which are written in prose, although you have been
20 7    |      divisions, compositions in prose, as they are termed, having
21 7    |      heard, either in poetry or prose, this seemed to me to be
22 7    |       them, either in poetry or prose, or if he come across unwritten
23 10   |       They speak of the Gods in prose as well as verse, and the
24 10   |  sayings of wise men, poets and prose writers, which find a way
25 10   |    celebrated both by poets and prose writers—these draw you aside
26 12   |     occur in poetry and also in prose, whether written down or


Lysis
   Part
27 Text |      Lysis. His performances in prose are bad enough, but nothing


Menexenus
   Part
28 Text | commemoration of their deeds in prose which we might attempt would


Phaedrus
   Part
29 Intro|   neither can there be any good prose. It had no great characters,
30 Text |      wise; or, possibly, from a prose writer. Why do I say so?
31 Text |        or out of metre, poet or prose writer, to teach us this?~
32 Text |         that neither poetry nor prose, spoken or written, is of


The Republic
   Book
33 2    |      the poets, but is found in prose writers. The universal voice
34 2    |    described either in verse or prose the true essential nature
35 2    |       sung or heard in verse or prose by anyone whether old or
36 3    |     rulers, whether in verse or prose, are well or ill spoken? ~
37 10   |     them, and recited in simple prose. ~Yes, he said. ~They are
38 10   |      the permission to speak in prose on her behalf: let them


The Sophist
   Part
39 Intro|         all his life denying in prose and also in verse. ‘You


The Symposium
   Part
40 Intro|     were introducing into Attic prose (compare Protag.). Of course,
41 Text |  example, who have descanted in prose on the virtues of Heracles


Timaeus
   Part
42 Intro| generally written in verse; the prose writers, like Democritus
43 Intro|       traces of the first Greek prose composition; for the great