Cratylus
   Part
 1 Intro|        which points to both his musical and his heavenly attributes;
 2 Intro|    first place, a name is not a musical, or, secondly, a pictorial
 3 Intro|     effected in earlier ages by musical and euphonic improvements,
 4 Intro|        binding up thoughts with musical notes’), of music, of children
 5 Intro|        like the elements of the musical scale, are few and simple,
 6 Intro|        of barbarous nations, of musical notes, of the cries of animals,
 7 Intro|      with geometry. Not only in musical notes, but in the quantity,
 8 Text |       the name may refer to his musical attributes, and then, as
 9 Text |    place, I should reply, not a musical imitation, although that


The First Alcibiades
   Part
10 Text |         what?~ALCIBIADES: To be musical, I suppose.~SOCRATES: Very
11 Text |      war and peace; as the more musical was the more excellent,


Gorgias
   Part
12 Intro|       worse than the discord of musical sounds.~Callicles answers,


Ion
   Part
13 Text |        yes; and of all sorts of musical performers.~SOCRATES: And


Laws
   Book
14 2    |     sorts, including gymnastic, musical, and equestrian contests:
15 2    |       every one will admit that musical compositions are all imitative
16 6    |        dance, and for our other musical arrangements; —one director
17 7    |        sort of dancing imitates musical recitation, and aims at
18 7    |      But what shall be our next musical law or type? Ought not prayers
19 7    |          There are many ancient musical compositions and dances
20 7    |       perceptions of rhythm and musical composition, that they might
21 8    |       and appoint choruses, and musical and gymnastic contests,
22 8    |       who, although he may have musical and poetical gifts, has
23 8    |         though they be not very musical. And let the judgment of
24 8    |          we may expect that the musical contests will be celebrated


Menexenus
   Part
25 Text |        equestrian contests, and musical festivals of every sort.


Phaedo
   Part
26 Text |      principle which repels the musical, or the just?~The unmusical,


Phaedrus
   Part
27 Text |       because the Melians are a musical race, help, O help me in
28 Text | philosopher, or artist, or some musical and loving nature; that


The Republic
   Book
29 3    |   expressive of sorrow? You are musical, and can tell me. ~The harmonies
30 3    |     therefore, I said, Glaucon, musical training is a more potent
31 3    |        educate, can ever become musical until we and they know the
32 4    |    meaning of the poet; for any musical innovation is full of danger
33 5    |     must therefore be included. Musical amateurs, too, are a folk


The Symposium
   Part
34 Intro|  distinct interpretation than a musical composition; and every reader


Theaetetus
   Part
35 Intro|        articulate speech and of musical notes? Yet how small a part
36 Text |     Certainly.~SOCRATES: And in musical composition the musician


Timaeus
   Part
37 Intro|       eyes, like fair sights or musical sounds before the eyes and
38 Intro|    divided according to certain musical intervals; he has also created
39 Intro|         6) they were aware that musical notes depended on the relative
40 Intro| numerical ratios according to a musical scale: though Bockh is of