Charmides
   Part
 1 PreS |     scholar, but to the unlearned reader. Its object should not simply
 2 PreS |           seeks to produce on his reader an impression similar or
 3 PreS |       will be lost to the English reader. It should read as an original
 4 PreS | impertinence in presenting to the reader the same thought in the
 5 PreS |         employed, which makes the reader stop to think, or unduly
 6 PreS |       scholar but for the general reader, their worst fault will
 7 PreS |  translation, give offence to the reader. Greek has a freer and more
 8 Intro|        for the convenience of the reader; at the same time, indications
 9 Text |       temperate.~Nay (The English reader has to observe that the


Cratylus
   Part
10 Intro|          arise in the mind of the reader of the Cratylus. And the
11 Intro|       kind of impertinence to the reader and strikes unpleasantly
12 Intro|    already known to the hearer or reader, they may be presupposed;
13 Intro|       knowledge of the writer and reader or of the speaker and hearer.
14 Intro|       audience or to the ordinary reader or to a young pupil. Grammars


The First Alcibiades
   Part
15 Pre  |           to the criticism of the reader may be partly spurious and
16 Pre  |         importance to the general reader.~


Gorgias
   Part
17 Intro|       mankind. We must remind the reader that Socrates himself implies
18 Intro|           noticed by an attentive reader that the twelve days during
19 Intro|           life and meaning to the reader. A poem may be contained


Menexenus
   Part
20 Pre  |           to the criticism of the reader may be partly spurious and
21 Pre  |         importance to the general reader.~
22 Intro|         to strike the mind of the reader. The effect produced by


Phaedo
   Part
23 Intro|  imperceptibly to himself and his reader from the future life of
24 Intro|         create in the mind of the reader an impression stronger than


Phaedrus
   Part
25 Intro|           the recollection of the reader.~...~No one can duly appreciate


Philebus
   Part
26 Intro|           order, though, like the reader of the Philebus, we have


The Sophist
   Part
27 Intro|        the feeling with which the reader rises from the perusal of


The Statesman
   Part
28 Intro|          whole on the mind of the reader. Plato apologizes for his


The Symposium
   Part
29 Intro|    musical composition; and every reader may form his own accompaniment


Timaeus
   Part
30 Intro|           repulsive to the modern reader, and has nevertheless had
31 Intro|           may be presented to the reader in a clearer and shorter
32 Intro| explanation of details, which the reader will find discussed at length
33 Intro|         truth of it as the modern reader in Gulliver or Robinson
34 Intro|         win the confidence of the reader. Who would desire better
35 Intro|    present them at parting to the reader. There is nothing in Plato
36 Intro|   insinuates into the mind of the reader the truth of his narrative