Charmides
   Part
 1 PreF | Platonische Studien;’ Stallbaum’s Notes and Introductions; Professor


Cratylus
   Part
 2 Intro|          up thoughts with musical notes’), of music, of children
 3 Intro|     barbarous nations, of musical notes, of the cries of animals,
 4 Intro|       Such changes are the silent notes of the world’s history;
 5 Intro|     geometry. Not only in musical notes, but in the quantity, quality,


Euthydemus
   Part
 6 Intro|         other people. Thirdly, he notes their liberality, which


Laws
   Book
 7 2    |       steps of the rhythm and the notes of the song, that they may
 8 7    |          of the lyre, because its notes are pure, the player who
 9 7    |      complexity, and variation of notes, when the strings give one
10 7    |        and quick, or high and low notes, are combined—or, again,
11 7    |           which they adapt to the notes of the lyre—all that sort


Lysis
   Part
12 Text |          up the lyre and tune the notes, and play with the fingers,


The Republic
   Book
13 3    |          not want multiplicity of notes or a panharmonic scale? ~
14 3    |          in sounds there are four notes out of which all the harmonies
15 4    |          and runs through all the notes of the scale, and produces
16 4    |         higher, lower, and middle notes of the scale, and the intermediate
17 7    |     talking about their condensed notes, as they call them; they


The Sophist
   Part
18 Intro|        there are some letters and notes which combine with others,
19 Intro|       which teaches not only what notes and letters, but what classes
20 Intro|       reality harmony consists of notes of a higher and lower pitch


The Statesman
   Part
21 Intro|           tones of the voice, the notes of music, the workings of
22 Text |       written down, he will leave notes of them for the use of his


The Symposium
   Part
23 Text |          is composed of differing notes of higher or lower pitch
24 Text |           if the higher and lower notes still disagreed, there could


Theaetetus
   Part
25 Intro|           from memory; but I took notes when I returned home, which
26 Intro|      syllables. And in music, the notes, which are the letters,
27 Intro|  articulate speech and of musical notes? Yet how small a part of
28 Text |           not offhand; but I took notes of it as soon as I got home;
29 Text |         to a particular note; the notes, as every one would allow,


Timaeus
   Part
30 Intro|     confusion by their power; the notes of music, the motions of
31 Intro|         spheres as well as of the notes of the lyre. If in all things
32 Intro|           were aware that musical notes depended on the relative