Charmides
   Part
 1 PreF |       flagrantly at variance with historical fact. It will be seen also
 2 PreS |          words. They also contain historical blunders, such as the statement
 3 PreS |    supposing that they are of any historical value, the rather as there


Cratylus
   Part
 4 Intro|        metaphysical or moral, but historical. They teach us the affinity
 5 Intro|        from the psychological, or historical, or physiological point
 6 Intro|          the metaphysical into an historical stage. Grammar is no longer
 7 Intro|      would be the greatest of all historical monuments, if it could only


Critias
   Part
 8 Intro|           to endless religious or historical enquiries. (See Introduction


Gorgias
   Part
 9 Intro|           passing any judgment on historical individuals, but only attempting


Meno
   Part
10 Intro|       have been regardless of the historical truth of the characters


Parmenides
   Part
11 Intro|           a purely antiquarian or historical interest; and with difficulty


Phaedo
   Part
12 Intro|    society, on the evidence of an historical fact, and also on analogies
13 Intro|      further and further from the historical fact on which it has been
14 Intro|   applicable. The evidence to the historical fact seems to be weaker


Phaedrus
   Part
15 Intro|         and how careless he is of historical truth or probability. Who
16 Intro|           any connection with the historical characters to whom they


Philebus
   Part
17 Intro|           principles of them— the historical germ from the later growth


Protagoras
   Part
18 Intro|          extreme disregard of the historical accuracy which is sometimes
19 Intro|       that Socrates is equally an historical character, paradoxical,
20 Intro|       Plato is only following the historical Socrates as he is depicted


The Sophist
   Part
21 Intro|         is probably not much more historical than his witness against
22 Intro|          the eternal ‘now’; it is historical and also a divine ideal.
23 Intro|        can tell?—is, at any rate, historical and rational, suitable to
24 Intro|          speculative idea and the historical order of thought.~(a) If
25 Intro| philosophy of Hegel appeals to an historical criterion: the ideas of
26 Intro|        his own ‘Becoming’?~As the historical order of thought has been


The Statesman
   Part
27 Intro|    Timaeus and Critias, is rather historical than poetical, in this respect


Theaetetus
   Part
28 Intro|         of many personal, of many historical and scientific facts he
29 Intro|       tending to prevail over the historical investigation of the mind,


Timaeus
   Part
30 Intro|        has coincided with a great historical fact. Like the romance of
31 Intro|       they also believed to be an historical fact. It was as if some