Cratylus
   Part
 1 Intro|     whole sentence appeared, and rhythm and metre followed. Each
 2 Intro|        charming their souls with rhythm and accent and intonation,
 3 Intro|          the rules of accent and rhythm in verse or prose, the formation
 4 Intro|       quantity, quality, accent, rhythm of human speech, trivial
 5 Intro|        to one another and to the rhythm of the whole passage.~iv.
 6 Intro|          the influence of metre, rhythm, rhyme, and of the language
 7 Intro|        of words having a kind of rhythm; to which regularity was
 8 Intro|        period, and how in prose, rhythm and accent and the order
 9 Text |          those who are beginning rhythm first distinguish the powers


Gorgias
   Part
10 Text |     strip all poetry of song and rhythm and metre, there will remain


Laws
   Book
11 2    |     their movements, that is, of rhythm or harmony, as they are
12 2    | pleasurable sense of harmony and rhythm; and so they stir us into
13 2    |       concerned with harmony and rhythm, so that you may speak of
14 2    |     melody or figure having good rhythm or good harmony—the term
15 2    |   themselves like, in the way of rhythm, or melody, or words, to
16 2    |    accompaniments of harmony and rhythm, and in these they must
17 2    |        order of motion is called rhythm, and the order of the voice,
18 2    |          havoc by separating the rhythm and the figure of the dance
19 2    |    separating the melody and the rhythm from the words, using the
20 2    |       meaning of the harmony and rhythm, or to see that any worthy
21 2    |       the Dorian mode, or to the rhythm which the poet has assigned
22 2    |         is in proper harmony and rhythm, and what is not, when they
23 2    |         made to sing and step in rhythm by force; it never occurs
24 2    |         has suitable harmony and rhythm, and wrong when unsuitable.~
25 2    |          follow the steps of the rhythm and the notes of the song,
26 2    |   knowing the laws of melody and rhythm. But the aged chorus must
27 2    |         the sense of harmony and rhythm sprang from this beginning
28 2    |         movement of the body has rhythm in common with the movement
29 2    |     having attained the sense of rhythm, created and invented dancing;
30 2    |    melody arousing and awakening rhythm, both united formed the
31 7    |        be inharmonical, or for a rhythm to be unrhythmical, and
32 7    |       they are termed, having no rhythm or harmony—seeing how dangerous
33 7    |          in their perceptions of rhythm and musical composition,
34 8    |        admixture of harmony with rhythm and the dance, has been


Phaedrus
   Part
35 Intro|        of clauses. There is more rhythm than reason; the creative


Protagoras
   Part
36 Text |          has need of harmony and rhythm. Then they send them to


The Republic
   Book
37 3    |           and if the harmony and rhythm are also chosen for their
38 3    |      make use of nearly the same rhythm? ~That is quite true, he
39 3    |       words, the melody, and the rhythm; that degree of knowledge
40 3    |         Yes. ~And the melody and rhythm will depend upon the words? ~
41 3    |         some three principles of rhythm out of which metrical systems
42 3    |      mentioning a complex Cretic rhythm; also a dactylic or heroic,
43 3    |         as well as of a trochaic rhythm, and assigned to them short
44 3    |        foot quite as much as the rhythm; or perhaps a combination
45 3    |         an effect of good or bad rhythm. ~None at all. ~And also
46 3    |       And also that good and bad rhythm naturally assimilate to
47 3    |        for our principle is that rhythm and harmony are regulated
48 3    |       harmony and grace and good rhythm depend on simplicity-I mean
49 3    |          than any other, because rhythm and harmony find their way
50 4    |        of passion by harmony and rhythm? ~Quite true, he said. ~
51 7    |       making them harmonious, by rhythm rhythmical, but not giving
52 7    |          had kindred elements of rhythm and harmony in them. But
53 10   |         in metre and harmony and rhythm, he speaks very well-such
54 10   |       influence which melody and rhythm by nature have. And I think


The Symposium
   Part
55 Intro|       application to harmony and rhythm. In the abstract, all is
56 Text |        disagrees. In like manner rhythm is compounded of elements
57 Text |       application to harmony and rhythm. Again, in the essential
58 Text |  essential nature of harmony and rhythm there is no difficulty in


Timaeus
   Part
59 Intro|       flow and often a defect of rhythm; the meaning is sometimes
60 Intro|       akin. There was a music of rhythm and of harmonious motion
61 Text |      agreement with herself; and rhythm too was given by them for