Cratylus
   Part
 1 Intro|      enters into language. The creative power abating is supplemented
 2 Intro|       true onomatopea is not a creative, but a formative principle,


Laws
   Book
 3 10   |       that nature is the first creative power; but if the soul turn


Phaedrus
   Part
 4 Intro|        rhythm than reason; the creative power of imagination is
 5 Intro|     preliminary knowledge with creative power. No attainments will
 6 Intro|     and so little mind or real creative power? Why did a thousand
 7 Intro| character from those which the creative genius of a single man,


Philebus
   Part
 8 Intro|     kinds of knowledge—the one creative or productive, and the other
 9 Intro|      and philosophical. Of the creative arts, there is one part
10 Intro|       rule and measure. Of the creative arts, then, we may make


The Republic
   Book
11 3    |        painter and every other creative and constructive art are
12 3    |     and building and the other creative arts; and is he who cannot


The Sophist
   Part
13 Text |      the name of productive or creative art.~THEAETETUS: Very good.~
14 Text |      are either acquisitive or creative, in which class shall we
15 Text |  originally divided by us into creative and acquisitive.~THEAETETUS:
16 Text | existing, was defined by us as creative.~THEAETETUS: I remember.~


The Statesman
   Part
17 Text |    through the agency of other creative beings, but as the world
18 Text |     make or acquire are either creative or preventive; of the preventive


The Symposium
   Part
19 Intro|   immortality of fame. For the creative soul creates not children,
20 Text |       processes of all art are creative; and the masters of arts
21 Text | certainly are men who are more creative in their souls than in their


Timaeus
   Part
22 Intro|  concerning soul and body.~The creative powers were aware of our
23 Intro|        and the planets, of the creative mind and the primeval chaos.
24 Intro|        inconsistency; that the creative is opposed to the critical