Cratylus
   Part
 1 Text |  several of them; just, as in painting, the painter who wants to


Critias
   Part
 2 Text |    not examine or analyze the painting; all that is required is


Gorgias
   Part
 3 Text |     little or no speaking; in painting, and statuary, and many


Ion
   Part
 4 Intro|     the analogy of sculpture, painting, flute-playing, and the
 5 Text |     matter; is not the art of painting a whole?~ION: Yes.~SOCRATES:


Laws
   Book
 6 10   |    another, such as music and painting create and their companion


Phaedrus
   Part
 7 Text | writing is unfortunately like painting; for the creations of the


Protagoras
   Part
 8 Text |   Zeuxippus would answer, ‘In painting.’ And suppose that he went


The Republic
   Book
 9 4    |   State. Suppose that we were painting a statue, and someone came
10 6    |  motley multitude, whether in painting or in music, or, finally,
11 7    |      upon by distance, and by painting in light and shade. ~No,
12 10   | question: Which is the art of painting designed to be-an imitation
13 10   |       arrive when I said that painting or drawing, and imitation
14 10   |   derived from the analogy of painting; but let us examine further


The Sophist
   Part
15 Intro|  illustrated by sculpture and painting, which often use illusions,
16 Text |     Take music in general and painting and marionette playing and
17 Text |     either of sculpture or of painting, which are of any magnitude,
18 Text |      of this kind of thing in painting, and in all imitation.~THEAETETUS:


The Statesman
   Part
19 Intro|     to read, music, statuary, painting, medicine, the art of the
20 Text |     and discourse than by any painting or work of art: to the duller
21 Text |   branch of hunting, or about painting or imitation in general,
22 Text |      imitations of them which painting and music supply, you must