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The Apology
Part
1 Intro| result in a perfect work of art, which is the portrait of
2 Intro| than to do evil;’ and the art of rhetoric is described
Charmides
Part
3 PreS | properties, relations, works of art, negative notions (Theaet.;
4 Text | dear Charmides, blessed art thou, in being the son of
5 Text | as doing.~And the healing art, my friend, and building,
6 Text | whatever which is done by art,—these all clearly come
7 Text | other work of any other art? Can you show me any such
8 Text | I can show you that the art of computation has to do
9 Text | are not the same with the art of computation?~They are
10 Text | computation?~They are not.~The art of weighing, again, has
11 Text | lighter and heavier; but the art of weighing is one thing,
12 Text | wisdom or temperance, but the art of medicine has taught it
13 Text | learned harmony from the art of music, and building from
14 Text | music, and building from the art of building,—neither, from
15 Text | only know his fellow in art or wisdom, and no one else.~
16 Text | equally produce shoes, and the art of the weaver clothes?—whether
17 Text | weaver clothes?—whether the art of the pilot will not equally
18 Text | our lives at sea, and the art of the general in war?~Quite
19 Text | health.~Certainly not.~The art of health is different.~
20 Text | been attributing to another art.~Very true.~How then can
Cratylus
Part
21 Intro| end. His idea of literary art is not the absolute proportion
22 Intro| work not of chance, but of art; the dialectician is the
23 Intro| is not opposed either to art or to law. But vocal imitation,
24 Intro| natural meaning. Thus nature, art, chance, all combine in
25 Intro| arts. Words are works of art which may be equally made
26 Intro| Yes.’ And naming is an art, and the artists are legislators,
27 Intro| argued, could men devoid of art have contrived a structure
28 Intro| an element of design and art enters into language. The
29 Intro| applied in philosophy and art; they are used as symbols
30 Intro| other work of nature or art, is often in like manner
31 Intro| whereas probably every art and part of wisdom had been
32 Intro| and the like, in which art has imitated nature, ‘words
33 Intro| of nature goes far beyond art, and it is complicated by
34 Intro| long time to perfect the art of writing, and another
35 Text | meaning of the word techne (art), for example.~HERMOGENES:
36 Text | contrivance) to techne (art) I shall be at the top of
37 Text | Certainly.~SOCRATES: But the art of naming appears not to
38 Text | shall we make speech by the art of the namer or the rhetorician,
39 Text | rhetorician, or by some other art. Not that I am literally
40 Text | SOCRATES: And naming is an art, and has artificers?~CRATYLUS:
41 Text | SOCRATES: And does this art grow up among men like other
42 Text | similars fall under the same art or science; and therefore
43 Text | legislators, and that the art which gave names was the
44 Text | which gave names was the art of the legislator?~CRATYLUS:
Critias
Part
45 Intro| sister deities, in mind and art united, obtained as their
46 Intro| mountains were ignorant of the art of writing, and during many
47 Text | the love of philosophy and art, both obtained as their
48 Text | they were ignorant of the art of writing, and had heard
Euthydemus
Part
49 Intro| systematized or reduced to an art or science, but scattered
50 Intro| if indeed this ancient art be not also fading away
51 Intro| professors of rhetoric and of the art of fighting in armour. To
52 Intro| a new accomplishment—the art of Eristic, or fighting
53 Intro| wisdom already:—in every art and business are not the
54 Intro| the great master of the art, ‘What is the meaning of
55 Intro| required in any particular art; nor again the art of the
56 Intro| particular art; nor again the art of the composer of speeches,
57 Intro| vainly searching after the art of life and happiness. At
58 Intro| they fix upon the kingly art, as having the desired sort
59 Intro| knowledge. But the kingly art only gives men those goods
60 Intro| certain result about the art which is to teach it. This
61 Intro| conception of the kingly art is more fully developed
62 Text | armour, and will teach the art to any one who pays them;
63 Text | carried out the pancratiastic art to the very end, and have
64 Text | knowing that they began this art of disputation which I covet,
65 Text | of an army, and the whole art of fighting in armour: and
66 Text | chief accomplishment was the art of fighting in armour; and
67 Text | teachers of it? Has your art power to persuade him, who
68 Text | said Dionysodorus; our art will do both.~And you and
69 Text | of their newly-discovered art)—let them, in their phraseology,
70 Text | medicine, or of any other art which knows only how to
71 Text | otherwise; for with them the art which makes is one, and
72 Text | which makes is one, and the art which uses is another. Although
73 Text | they are divided: for the art which makes and the art
74 Text | art which makes and the art which plays on the lyre
75 Text | clearly we do not want the art of the flute-maker; this
76 Text | that we were to learn the art of making speeches— would
77 Text | speeches— would that be the art which would make us happy?~
78 Text | and this proves that the art of making speeches is not
79 Text | speeches is not the same as the art of using them.~Yes, I said;
80 Text | sufficient proof that the art of making speeches is not
81 Text | yet I did think that the art which we have so long been
82 Text | men, Cleinias, and their art is lofty and divine, and
83 Text | and no wonder. For their art is a part of the great art
84 Text | art is a part of the great art of enchantment, and hardly,
85 Text | inferior to it: and whereas the art of the enchanter is a mode
86 Text | monsters and pests, this art of their’s acts upon dicasts
87 Text | go, I said, and to what art shall we have recourse?~
88 Text | Cleinias.~I think that the art of the general is above
89 Text | said.~Why not? I said.~The art of the general is surely
90 Text | the general is surely an art of hunting mankind.~What
91 Text | I said.~Why, he said, no art of hunting extends beyond
92 Text | If we are looking for the art which is to make us blessed,
93 Text | which it makes or takes, the art of the general is not the
94 Text | further, and did you find the art which you were seeking?~
95 Text | the point of catching the art, which was always getting
96 Text | last we came to the kingly art, and enquired whether that
97 Text | will tell you; the kingly art was identified by us with
98 Text | this royal or political art all the arts, including
99 Text | the arts, including the art of the general, seemed to
100 Text | Here obviously was the very art which we were seeking—the
101 Text | which we were seeking—the art which is the source of good
102 Text | was asked: Does the kingly art, having this supreme authority,
103 Text | you say that the kingly art does? If medicine were supposed
104 Text | SOCRATES: And what of your own art of husbandry, supposing
105 Text | And what does the kingly art do when invested with supreme
106 Text | know that if this is the art which we were seeking, it
107 Text | SOCRATES: And does the kingly art make men wise and good?~
108 Text | from the knowledge of the art or science of happiness.~
109 Text | made a profession of the art, and therefore do as you
110 Text | more than all is, that this art and invention of yours has
111 Text | that men may undervalue an art which they have so easy
112 Text | that the learning of their art did not at all interfere
113 Text | greatest masters of the art of rhetoric discoursing.’ ‘
114 Text | and money-making and the art of the general, noble arts?~
Euthyphro
Part
115 Intro| who has communicated his art to his descendants.~Socrates,
116 Text | should suppose that the art of horsemanship is the art
117 Text | art of horsemanship is the art of attending to horses?~
118 Text | should also conceive that the art of the huntsman is the art
119 Text | art of the huntsman is the art of attending to dogs?~EUTHYPHRO:
120 Text | EUTHYPHRO: Yes.~SOCRATES: As the art of the oxherd is the art
121 Text | art of the oxherd is the art of attending to oxen?~EUTHYPHRO:
122 Text | holiness or piety is the art of attending to the gods?—
123 Text | attended to by the horseman’s art they are benefited and improved,
124 Text | benefited by the huntsman’s art, and the oxen by the art
125 Text | art, and the oxen by the art of the oxherd, and all other
126 Text | has been defined to be the art of attending to the gods,
127 Text | SOCRATES: Again, there is an art which ministers to the ship-builder
128 Text | SOCRATES: As there is an art which ministers to the house-builder
129 Text | my good friend, about the art which ministers to the gods:
130 Text | would be no meaning in an art which gives to any one that
131 Text | piety, Euthyphro, is an art which gods and men have
The First Alcibiades
Part
132 Intro| Not about any particular art, but about politics—when
133 Text | speak of an excellence or art of the best in wrestling,
134 Text | SOCRATES: And was not the art of which I spoke gymnastic?~
135 Text | me, first, what is that art of which playing and singing,
136 Text | who are the patronesses of art?~ALCIBIADES: The Muses do
137 Text | what is the name of the art which is called after them?~
138 Text | is the excellence of the art of music, as I told you
139 Text | one who understands the art?~ALCIBIADES: The latter.~
140 Text | SOCRATES: And what sort of an art is this? Suppose that I
141 Text | as I did just now, What art makes men know how to rule
142 Text | answer?~ALCIBIADES: The art of the pilot.~SOCRATES:
143 Text | another old instance, what art enables them to rule over
144 Text | fellow-singers?~ALCIBIADES: The art of the teacher of the chorus,
145 Text | And what do you call the art of fellow-citizens?~ALCIBIADES:
146 Text | Socrates.~SOCRATES: And is the art of the pilot evil counsel?~
147 Text | Agreement.~SOCRATES: What art makes cities agree about
148 Text | same.~SOCRATES: And what art makes each individual agree
149 Text | same.~SOCRATES: And what art makes each of us agree with
150 Text | the cubit? Does not the art of measure?~ALCIBIADES:
151 Text | speak, and about what? what art can give that agreement?
152 Text | SOCRATES: And what is the art which improves our shoes?~
153 Text | our feet, or by some other art which improves the feet?~
154 Text | ALCIBIADES: By some other art.~SOCRATES: And the same
155 Text | SOCRATES: And the same art improves the feet which
156 Text | of our hands, and by the art of graving rings of that
157 Text | of the body, and by the art of weaving and the other
158 Text | Clearly.~SOCRATES: Then the art which takes care of each
159 Text | Certainly not.~SOCRATES: For the art which takes care of our
160 Text | let me ask you what is the art with which we take care
161 Text | been admitted, that the art is not one which makes any
162 Text | we ever have known what art makes a shoe better, if
163 Text | Nor should we know what art makes a ring better, if
164 Text | And can we ever know what art makes a man better, if we
165 Text | self, in respect of his art none of them is temperate?~
166 Text | same man, and of the same art.~ALCIBIADES: So much may
Gorgias
Part
167 Intro| conversation; no severe rules of art restrict them, and sometimes
168 Intro| proportion is needed (his own art of measuring) in the study
169 Intro| dialogues are finished works of art, we may find a reason for
170 Intro| highest characteristic of art, which is simplicity. Most
171 Intro| sound definition of his art from Gorgias, Socrates assumes
172 Intro| existence of a universal art of flattery or simulation
173 Intro| opposed the true and noble art of life which he who possesses
174 Intro| forms of true and false art. In the development of this
175 Intro| Polus finds his favourite art reduced to the level of
176 Intro| incapable of defining his own art. When his ideas begin to
177 Intro| Sophists; but favours the new art of rhetoric, which he regards
178 Intro| concerning the nature of his art. Callicles proposes that
179 Intro| quality for the nature of the art, and remarks to Gorgias,
180 Intro| say, Socrates, that the art of persuasion, which gives
181 Intro| define rhetoric simply as an art of persuasion, because there
182 Intro| arithmetic, which is an art of persuasion about odd
183 Intro| defines rhetoric as the art of persuading in the law
184 Intro| a boxer should abuse the art of self-defence. Rhetoric
185 Intro| Neither is the teacher of the art to be deemed unjust because
186 Intro| teacher as a part of the art of rhetoric. But he who
187 Intro| Socrates answer.~‘What is the art of Rhetoric?’ says Polus.
188 Intro| Rhetoric?’ says Polus. Not an art at all, replies Socrates,
189 Intro| you affirm to have created art. Polus asks, ‘What thing?’
190 Intro| waiting upon them, first the art of politics, which attends
191 Intro| judicial part; and another art attending on the body, which
192 Intro| their own existence. The art of dressing up is the sham
193 Intro| simulation of gymnastic, the art of cookery, of medicine;
194 Intro| medicine : rhetoric : the art of justice.~And this is
195 Intro| conceivable uses of the art, and no others have been
196 Intro| pretensions—such as the art of swimming, or the art
197 Intro| art of swimming, or the art of the pilot? Does not the
198 Intro| never had a teacher of the art of building, and had never
199 Intro| the meaner and the higher art. You seemed to understand
200 Intro| person who teaches the true art of politics. And very probably,
201 Intro| of conceiving a universal art or science, which admits
202 Intro| compare Gorg.), as the art of persuasion, of all arts
203 Intro| further observe that the art of government, while in
204 Intro| to fall apart. The great art of novel writing, that peculiar
205 Intro| together with the sister art of review writing, threatens
206 Intro| noble purposes to which art may be applied (Republic).~
207 Intro| no conception that true art should bring order out of
208 Intro| conclusion of the whole matter:’ Art then must be true, and politics
209 Intro| a legendary belief. The art of making stories of ghosts
210 Intro| occasion, and the like. This art is possessed by Plato in
211 Text | what is the nature of his art, and what it is which he
212 Text | we call him—what is the art in which he is skilled.~
213 Text | to proceed according to art, and inexperience according
214 Text | one of the best, and the art in which he is a proficient
215 Text | has attended more to the art which is called rhetoric
216 Text | Chaerephon asked you what was the art which Gorgias knows, you
217 Text | you never said what the art was.~POLUS: Why, did I not
218 Text | what was the nature, of the art, and by what name we were
219 Text | first, to say what this art is, and what we ought to
220 Text | call you, and what is the art which you profess?~GORGIAS:
221 Text | Rhetoric, Socrates, is my art.~SOCRATES: Then I am to
222 Text | SOCRATES: But does not the art of medicine, which we were
223 Text | if you call rhetoric the art which treats of discourse,
224 Text | to be that rhetoric is an art of this latter sort?~GORGIAS:
225 Text | was, that rhetoric is an art which works and takes effect
226 Text | asked again: ‘What is the art of calculation?’ I should
227 Text | difference being that the art of calculation considers
228 Text | is deceiving you, for my art is concerned with the greatest
229 Text | say. Do you mean that your art produces the greatest good? ‘
230 Text | can show more good of his art than I can show of mine.’
231 Text | Gorgias contends that his art produces a greater good
232 Text | what you conceive to be the art of rhetoric; and you mean
233 Text | way;—is rhetoric the only art which brings persuasion,
234 Text | Socrates, that rhetoric is the art of persuasion in courts
235 Text | learn the nature of your art from you. And here let me
236 Text | nature and power of the art of rhetoric! And yet, Socrates,
237 Text | like any other competitive art, not against everybody,—
238 Text | not. For they taught their art for a good purpose, to be
239 Text | teachers bad, neither is the art in fault, or bad in itself;
240 Text | who make a bad use of the art are to blame. And the same
241 Text | the other arts, but the art of rhetoric only, and yet
242 Text | before he can acquire the art of rhetoric? If he is ignorant,
243 Text | wrong use of his pugilistic art; and in like manner, if
244 Text | you mean what sort of an art?~POLUS: Yes.~SOCRATES: To
245 Text | truth, Polus, it is not an art at all, in my opinion.~POLUS:
246 Text | say that you have made an art.~POLUS: What thing?~SOCRATES:
247 Text | ask me, what sort of an art is cookery?~POLUS: What
248 Text | POLUS: What sort of an art is cookery?~SOCRATES: Not
249 Text | cookery?~SOCRATES: Not an art at all, Polus.~POLUS: What
250 Text | whether or no this is that art of rhetoric which Gorgias
251 Text | of what he thought of his art, but the rhetoric which
252 Text | rhetoric is a part is not an art at all, but the habit of
253 Text | which may seem to be an art, but, as I maintain, is
254 Text | experience or routine and not an art:—another part is rhetoric,
255 Text | part is rhetoric, and the art of attiring and sophistry
256 Text | corresponding to them: there is the art of politics attending on
257 Text | on the soul; and another art attending on the body, of
258 Text | thought of the best. An art I do not call it, but only
259 Text | any irrational thing an art; but if you dispute my words,
260 Text | and that rhetoric is an art and not a flattery—and so
261 Text | evident.~SOCRATES: Now, what art is there which delivers
262 Text | from poverty? Does not the art of making money?~POLUS:
263 Text | Yes.~SOCRATES: And what art frees us from disease? Does
264 Text | from disease? Does not the art of medicine?~POLUS: Very
265 Text | Clearly.~SOCRATES: Then the art of money-making frees a
266 Text | what is the value of~‘An art which converts a man of
267 Text | are evil, or must he have art or knowledge of them in
268 Text | CALLICLES: He must have art.~SOCRATES: Let me now remind
269 Text | which I do not call an art, but only an experience,
270 Text | with pleasure, and that the art of medicine was of the class
271 Text | an experience, and not an art at all; and that whereas
272 Text | that whereas medicine is an art, and attends to the nature
273 Text | some of them processes of art, making a provision for
274 Text | not that appear to be an art which seeks only pleasure,
275 Text | arts, as, for example, the art of playing the lyre at festivals?~
276 Text | do you say of the choral art and of dithyrambic poetry?—
277 Text | the other, and there is an art in distinguishing them,—
278 Text | honest and understands his art have his eye fixed upon
279 Text | the order and truth and art which are imparted to them:
280 Text | provided himself with power and art; and if he have not studied
281 Text | would appear, power and art have to be provided in order
282 Text | Certainly.~SOCRATES: And what art will protect us from suffering
283 Text | for I think that such an art is the art of one who is
284 Text | that such an art is the art of one who is either a ruler
285 Text | danger always; like that art of rhetoric which saves
286 Text | of swimming; is that an art of any great pretensions?~
287 Text | you of another and greater art, the art of the pilot, who
288 Text | another and greater art, the art of the pilot, who not only
289 Text | just like rhetoric. Yet his art is modest and unpresuming:
290 Text | who is the master of the art, and has done all this,
291 Text | you despise him and his art, and sneeringly call him
292 Text | any man will show you the art of becoming great in the
293 Text | know or do not know the art of building, and who taught
294 Text | acquired experience of the art! Is not this, as they say,
295 Text | are learning the potter’s art; which is a foolish thing?~
296 Text | they did not use the true art of rhetoric or of flattery,
297 Text | know that there is another art—an art of gymnastic and
298 Text | there is another art—an art of gymnastic and medicine
299 Text | body, first-rate in their art; for the first makes admirable
300 Text | or noble notions of their art, and may very likely be
301 Text | about building or any other art?~CALLICLES: Yes, we have
302 Text | living who practises the true art of politics; I am the only
303 Text | and rhetoric and any other art should be used by him, and
Ion
Part
304 Intro| and envies the rhapsode’s art; for he is always well dressed
305 Intro| judges of poetry by rules of art ought to be able to judge
306 Intro| is not guided by rules of art, but is an inspired person
307 Intro| judge of his own particular art better than the rhapsode.
308 Intro| that he understands the art of the general as well as
309 Intro| of poetry or of any other art as a whole.~In the Protagoras
310 Intro| which is contained in his art of rhetoric. Even more than
311 Intro| explain the nature of his own art; his great memory contrasts
312 Text | you can is a part of your art. Then, again, you are obliged
313 Text | most laborious part of my art; and I believe myself able
314 Text | you a question: Does your art extend to Hesiod and Archilochus,
315 Text | speak of Homer without any art or knowledge. If you were
316 Text | speak of him by rules of art, you would have been able
317 Text | any one acquires any other art as a whole, the same may
318 Text | acquired a knowledge of a whole art, the enquiry into good and
319 Text | this matter; is not the art of painting a whole?~ION:
320 Text | excellently about Homer is not an art, but, as I was just saying,
321 Text | their beautiful poems not by art, but because they are inspired
322 Text | of them by any rules of art: they are simply inspired
323 Text | kind of verse: for not by art does the poet sing, but
324 Text | Had he learned by rules of art, he would have known how
325 Text | plenty to say; for not by art or knowledge about Homer
326 Text | you praise Homer not by art but by divine inspiration.~
327 Text | reason be that this is his art, or will there be any other
328 Text | reason.~SOCRATES: And every art is appointed by God to have
329 Text | that which we know by the art of the pilot we do not know
330 Text | pilot we do not know by the art of medicine?~ION: Certainly
331 Text | SOCRATES: Nor do we know by the art of the carpenter that which
332 Text | that which we know by the art of medicine?~ION: Certainly
333 Text | that which we know with one art we do not know with the
334 Text | I should, that when one art is of one kind of knowledge
335 Text | by the help of the same art of arithmetic, you would
336 Text | universally? Must the same art have the same subject of
337 Text | knowledge of a particular art will have no right judgment
338 Text | sayings and doings of that art?~ION: Very true.~SOCRATES:
339 Text | Yes.~SOCRATES: And the art of the rhapsode is different
340 Text | Now would you say that the art of the rhapsode or the art
341 Text | art of the rhapsode or the art of medicine was better able
342 Text | of these lines?~ION: The art of medicine.~SOCRATES: And
343 Text | fishes (Il.),’—~will the art of the fisherman or of the
344 Text | Clearly, Socrates, the art of the fisherman.~SOCRATES:
345 Text | the prophet and prophetic art’; and you will see how readily
346 Text | rhapsode and the rhapsode’s art, and which the rhapsode
347 Text | remember that you declared the art of the rhapsode to be different
348 Text | to be different from the art of the charioteer?~ION:
349 Text | showing the rhapsode, and the art of the rhapsode, will not
350 Text | SOCRATES: Well, but is the art of the rhapsode the art
351 Text | art of the rhapsode the art of the general?~ION: I am
352 Text | have a knowledge of the art of the general as well as
353 Text | you: By the help of which art, Ion, do you know whether
354 Text | judging of the general’s art, do you judge of it as a
355 Text | you mean to say that the art of the rhapsode and of the
356 Text | correct in saying that by art and knowledge you are able
357 Text | far from exhibiting the art of which you are a master,
358 Text | Homeric lore. And if you have art, then, as I was saying,
359 Text | as I believe, you have no art, but speak all these beautiful
360 Text | Homer inspiration, and not art.~THE END~ >
Laches
Part
361 Intro| much in favour of the new art, which he describes as the
362 Intro| of opinion that such an art is not knowledge, and cannot
363 Intro| himself. The possession of the art will make the coward rash,
364 Intro| to be dreaded in his own art.’ ‘No they do not. They
365 Intro| ready to accept the new art, which Laches treats with
366 Intro| of any discovery in the art of war (Aristoph. Aves);
367 Intro| have. Like a novice in the art of disputation, he is delighted
368 Text | one commended to us the art of fighting in armour, which
369 Text | your opinion about this art of fighting in armour, and
370 Text | were beginning to speak—the art of fighting in armour? Is
371 Text | the acquirement of this art is in many ways useful to
372 Text | exercise; and this, and the art of riding, are of all arts
373 Text | Certainly he who possessed the art could not meet with any
374 Text | on to learn the complete art of the general. There is
375 Text | should be instructed in this art, and for the reasons which
376 Text | and as the teachers of the art affirm, this use of arms
377 Text | these professors of the art would certainly not have
378 Text | and that a master of the art who was honoured among them
379 Text | those who have practised the art, they appear to be a most
380 Text | be something in such an art, as Nicias asserts, but
381 Text | first, whether this be an art of which the advantage is
382 Text | is so slight, or not an art at all, but only an imposition,
383 Text | if the professor of this art be a coward, he will be
384 Text | the desirableness of this art; but, as I said at first,
385 Text | knew and had practised the art, and had the best teachers?~
386 Text | about the nature of the art of which we want to find
387 Text | or is not skilled in the art, and has or has not had
388 Text | not had a teacher of the art.~NICIAS: Why, Socrates,
389 Text | or ought not to learn the art of fighting in armour?~SOCRATES:
390 Text | professed to be masters of their art, unless they could show
391 Text | never had a teacher of the art of virtue; although I have
392 Text | been able to discover the art myself, though I should
393 Text | whether you invented the art yourselves, or learned of
394 Text | were their brothers in the art; and then, if you are too
395 Text | select that to which the art of fighting in armour is
396 Text | the bow, or of any other art, is not so courageous as
397 Text | in all times. As to the art of the general, you yourselves
Laws
Book
398 1 | afterwards require for their art. For example, the future
399 1 | the greatest use in that art which has the management
400 1 | management of them; and that art, if I am not mistaken, is
401 2 | Athenian. The adaptation of art to the characters of men.
402 2 | find that their works of art are painted or moulded in
403 2 | drawing, music, or any other art, he who is to be a competent
404 2 | Athenian. The whole choral art is also in our view the
405 2 | of education; and of this art, rhythms and harmonies form
406 2 | was one half of the choral art, may be said to have been
407 2 | united formed the choral art?~Cleinias. Very true.~Athenian.
408 3 | no more of them until the art of metallurgy had again
409 4 | less extreme view, that art should be there also; for
410 4 | having the aid of the pilot’s art. You would agree?~Cleinias.
411 4 | require to exercise his art?~Cleinias. Certainly.~Athenian.
412 4 | whatever comes in, and his art being imitative, he is often
413 4 | scientifically themselves the art which they impart scientifically
414 5 | retentive, shrewd, and aided by art divine he makes progress
415 6 | great acquaintance with the art.~Athenian. No matter; we
416 7 | said about them; but the art of wrestling erect and keeping
417 7 | who attend the schools the art of war and the art of music,
418 7 | schools the art of war and the art of music, and the children
419 7 | the shuttles and the whole art of spinning? Or shall we
420 7 | dancing in arms and the whole art of fighting—when grown—up
421 7 | most akin to the military art, and is to be pursued for
422 7 | words in gestures the whole art of dancing has arisen. And
423 8 | could we ever study the art of self–defence?~Cleinias.
424 8 | every man will stoop to any art or contrivance, seemly or
425 8 | an efficient manner the art of war, or any other noble
426 8 | wrestling, the masters of the art have laid down what is fair
427 8 | contests, in his zeal for his art, ind also because he was
428 8 | order of the state, has an art which requires much study
429 8 | rightly, or of practising one art himself, and superintending
430 8 | superintend the smith’s art rather than his own, under
431 8 | from them than from his own art; but let every man in the
432 8 | man in the state have one art, and get his living by that.
433 8 | citizen incline to any other art than the study of virtue,
434 8 | or the materials of any art which have to be imported,
435 8 | need of introducing any art, or plant, or metal, or
436 8 | but he must practise an art, and not abide more than
437 9 | apprehending that the true art or politics is concerned,
438 10 | some by nature, some by art, and some by chance.~Cleinias.
439 10 | of chance, the lesser of art, which, receiving from nature
440 10 | chance, and none of them by art, and that as to the bodies
441 10 | or of any God, or from art, but as I was saying, by
442 10 | nature and chance only. Art sprang up afterwards and
443 10 | degree, and have more of art; also that legislation is
444 10 | legislation is entirely a work of art, and is based on assumptions
445 10 | exist not by nature, but by art, and by the laws of states,
446 10 | alterations which are made by art and by law have no basis
447 10 | support the law and also art, and acknowledge that both
448 10 | and attention and mind and art and law will be prior to
449 10 | actions will be works of art; they will be the first,
450 10 | under the government of art and mind.~Cleinias. But
451 10 | great, by one and the same art; or that God, the wisest
452 11 | in free states the man of art ought not to attempt to
453 11 | individuals by the help of his art, which is by nature a true
454 11 | us under the fair name of art has come an evil reputation.
455 11 | our state this so–called art, whether really an art or
456 11 | called art, whether really an art or only an experience and
457 11 | practice destitute of any art, ought if possible never
Lysis
Part
458 Text | sickness is an evil, and the art of medicine a good and useful
459 Text | and make friends of the art of medicine?~Yes.~Then that
Menexenus
Part
460 Text | of the Blest. Such is the art of our rhetoricians, and
461 Text | excellent mistress in the art of rhetoric,—she who has
Meno
Part
462 Intro| practice, but not theory; art, but not science. This is
463 Text | conversely, may not the art of which neither teachers
464 Text | to those who profess the art, rather than to those who
465 Text | payment for teaching the art, and profess to teach it
466 Text | who profess to teach the art for money, and be plaguing
467 Text | really beautiful works of art. Now this is an illustration
Parmenides
Part
468 Intro| different forms, is a strain of art beyond most of us.’ ‘Yes,
469 Text | same. This is a strain of art beyond the reach of most
470 Text | divine; but there is an art which is called by the vulgar
Phaedo
Part
471 Intro| for ages by the embalmer’s art: how unlikely, then, that
472 Intro| have been fixed in forms of art and can no longer be altered.
473 Intro| Greek, or rather of all art, which requires that scenes
474 Intro| composure—are masterpieces of art. And the chorus at the end
475 Intro| in life or death.’~‘The art of concealing art’ is nowhere
476 Intro| The art of concealing art’ is nowhere more perfect
477 Text | of music or of works of art, of course perishes at once,
478 Text | replied Socrates, if I had the art of Glaucus would tell you;
479 Text | although I know not that the art of Glaucus could prove the
Phaedrus
Part
480 Intro| philosophy to love and to art in general, and to the human
481 Intro| kinds: first, there is the art of divination or prophecy—
482 Intro| secondly, there is the art of purification by mysteries;
483 Intro| Spartan proverb says, ‘true art is truth’; whereas rhetoric
484 Intro| whereas rhetoric is an art of enchantment, which makes
485 Intro| is rather a part of the art of disputation, under which
486 Intro| as illustrations of the art of rhetoric; first distinguishing
487 Intro| gift of genius. The real art is always being confused
488 Intro| the preliminaries of the art. The perfection of oratory
489 Intro| natural power must be aided by art. But the art is not that
490 Intro| be aided by art. But the art is not that which is taught
491 Intro| this, if there be such an art, is the art of rhetoric.~
492 Intro| there be such an art, is the art of rhetoric.~I know that
493 Intro| are some professors of the art who maintain probability
494 Intro| beginning in this.~Enough of the art of speaking; let us now
495 Intro| ways to different kinds of art; to a statue, for example,
496 Intro| derived from one sort of art be hastily transferred to
497 Intro| the Gorgias between the art of speaking and the nature
498 Intro| the false or conventional art of rhetoric; secondly, love
499 Intro| thirdly, dialectic or the art of composition and division;
500 Intro| dialectic, and is neither the art of persuasion nor knowledge