Charmides
    Part
  1 PreF   |             which he has rendered to Greek Literature.~Balliol College,
  2 PreS   |             without reference to the Greek, the English being really
  3 PreS   |            convert the more abstract Greek into the more concrete English,
  4 PreS   |       composition, is omitted in the Greek, but is necessary to make
  5 PreS   |          termed the interests of the Greek and English are often at
  6 PreS   |             the exact meaning of the Greek; when we return to the Greek
  7 PreS   |         Greek; when we return to the Greek we are apt to cramp and
  8 PreS   |           fundamental differences in Greek and English, of which some
  9 PreS   |                 The structure of the Greek language is partly adversative
 10 PreS   |         preserving the effect of the Greek is increased by the want
 11 PreS   |              same sentence where the Greek repeats (Greek). There is
 12 PreS   |             where the Greek repeats (Greek). There is a similar want
 13 PreS   |              and subjective thought—(Greek) and the like, which are
 14 PreS   |           thickly scattered over the Greek page. Further, we can only
 15 PreS   |          common distinction between (Greek), and the combination of
 16 PreS   |       English is more dependent than Greek upon the apposition of clauses
 17 PreS   |            emphasis in English as in Greek.~2 The formation of the
 18 PreS   |         paragraph greatly differs in Greek and English. The lines by
 19 PreS   |             poetry or prose; it was (Greek). The balance of sentences
 20 PreS(2)|                       The decline of Greek Literature.~
 21 PreS   |       females. Now the genius of the Greek language is the opposite
 22 PreS   | personification which is seen in the Greek mythology is common also
 23 PreS   |            difficulty in translating Greek into English which cannot
 24 PreS   |             it.’ Collective nouns in Greek and English create a similar
 25 PreS   |              is far more extended in Greek than in English. Partly
 26 PreS   |        simpler and more natural. The Greek appears to have had an ear
 27 PreS   |            and in order to bring the Greek down to the level of the
 28 PreS   |           same precision required in Greek as in Latin or English,
 29 PreS   |              English, nor in earlier Greek as in later; there was nothing
 30 PreS   |           more intelligible than the Greek. The want of more distinctions
 31 PreS   |           the same sentence. But the Greek has no such precise rules;
 32 PreS   |             literal translation of a Greek author is full of tautology.
 33 PreS   |         thought of the original. The Greek of Plato often goes beyond
 34 PreS   |              imagery: compare Laws, (Greek); Rep.; etc. Or again the
 35 PreS   |            nearest equivalent to the Greek, may be found to include
 36 PreS   |        include associations alien to Greek life: e.g. (Greek), ‘jurymen,’ (
 37 PreS   |           alien to Greek life: e.g. (Greek), ‘jurymen,’ (Greek), ‘the
 38 PreS   |            e.g. (Greek), ‘jurymen,’ (Greek), ‘the bourgeoisie.’ (d)
 39 PreS   |         always to translate the same Greek word by the same English
 40 PreS   |            why in the New Testament (Greek) should always be rendered ‘
 41 PreS   |        rendered ‘righteousness,’ or (Greek) ‘covenant.’ In such cases
 42 PreS   |        varying them by an ‘or’—e.g. (Greek), ‘science’ or ‘knowledge,’ (
 43 PreS   |            science’ or ‘knowledge,’ (Greek), ‘idea’ or ‘class,’ (Greek), ‘
 44 PreS   |          Greek), ‘idea’ or ‘class,’ (Greek), ‘temperance’ or ‘prudence,’—
 45 PreS   |             are intended not for the Greek scholar but for the general
 46 PreS   |             which corresponds to the Greek Dialogue; nor is the English
 47 PreS   |              constant repetition of (Greek), etc., which Cicero avoided
 48 PreS   |          give offence to the reader. Greek has a freer and more frequent
 49 PreS   |             and place, the spirit of Greek philosophy. There is, however,
 50 PreS   |              of the classical age of Greek literature are forgeries. (
 51 PreS   |           Nor is there an example in Greek antiquity of a series of
 52 PreS   |             a different form by the (Greek) and the (Greek) of the
 53 PreS   |              by the (Greek) and the (Greek) of the Philebus. The (Greek)
 54 PreS   |         Greek) of the Philebus. The (Greek) of the Philebus is the
 55 PreS   |             form and measure to the (Greek); and in the ‘Later Theory’
 56 PreS   |           Theory’ is held to be the (Greek) or (Greek) which converts
 57 PreS   |           held to be the (Greek) or (Greek) which converts the Infinite
 58 PreS   |             ideas. They are neither (Greek) nor (Greek), but belong
 59 PreS   |             are neither (Greek) nor (Greek), but belong to the (Greek)
 60 PreS   |           Greek), but belong to the (Greek) which partakes of both.~
 61 PreS   |          with the summum genus, the (Greek), in the Parmenides his
 62 Intro  |          Charmides is Temperance or (Greek), a peculiarly Greek notion,
 63 Intro  |             or (Greek), a peculiarly Greek notion, which may also be
 64 Intro  |     Moderation (Compare Cic. Tusc. ‘(Greek), quam soleo equidem tum
 65 Intro  |             the philosophy of Plato (Greek) still retains an intellectual
 66 Intro  |             said to have identified (Greek) with (Greek): Xen. Mem.)
 67 Intro  |             identified (Greek) with (Greek): Xen. Mem.) and is not
 68 Intro  |            spirit of Socrates and of Greek life generally, proposes
 69 Intro  |        Dialogue may be noted (1) The Greek ideal of beauty and goodness,
 70 Intro  |          know’ and ‘that you know,’ (Greek;) here too is the first
 71 Intro  |     reputation is characteristically Greek, and contrasts with the
 72 Intro  |            be called by the name of (Greek). Hence we see with surprise
 73 Intro  |              two senses of the word (Greek), or temperance. From the
 74 Intro  |          intellectual conception of (Greek), which is declared also
 75 Intro  |      distinction of Critias between (Greek), none of them are merely
 76 Intro  |          called dialogues of search (Greek), which have no conclusion. (
 77 Text   |             just now mentioning, the Greek physicians are quite right
 78 Text   |        observe that the word ‘make’ (Greek), in Greek, has also the
 79 Text   |              word ‘make’ (Greek), in Greek, has also the sense of ‘
 80 Text   |              also the sense of ‘do’ (Greek).), said he; did I ever
 81 Text   |          good; and that the makings (Greek) of the good you would call
 82 Text   |          good you would call doings (Greek), for I am no stranger to
 83 Text   |            and as the letters imply (Greek), and yet they may be easily
 84 Text   |             after the comparative in Greek, (Greek), creates an unavoidable
 85 Text   |           the comparative in Greek, (Greek), creates an unavoidable


Cratylus
    Part
 86 Intro  |            as we appear to find in a Greek temple or statue; nor should
 87 Intro  |            view of the derivation of Greek words from other languages,
 88 Intro  | characteristic difficulties of early Greek philosophy, endeavours to
 89 Intro  |     acquainted with any language but Greek. Yet he has conceived very
 90 Intro  |           very truly the relation of Greek to foreign languages, which
 91 Intro  |           because he finds that many Greek words are incapable of explanation.
 92 Intro  |       ignorant than any schoolboy of Greek grammar, and had no table
 93 Intro  |           synthetical languages like Greek and Latin, which have retained
 94 Intro  |          developed into Sanscrit and Greek. They hardly enable us to
 95 Intro  |              not enter. The ordinary Greek grammar gives a complete
 96 Intro  |               being understood’ in a Greek sentence is another fiction
 97 Intro  |          date, and that the study of Greek grammar has received a new
 98 Intro  |             another will prevail. In Greek there are three declensions
 99 Intro  |               certainly in Sanskrit, Greek, Latin, we are not at the
100 Intro  |          nature of the mind. Both in Greek and English we find groups
101 Intro  |             the Latin, if not as the Greek. Nor does there seem to
102 Intro  |              the low level of Modern Greek or of Mediaeval Latin. The
103 Intro  |              that of either Latin or Greek. In the two latter, especially
104 Intro  |            two latter, especially in Greek, sentences are joined together
105 Intro  |            less distinctly marked in Greek and Latin than in English.
106 Intro  |            in English than in either Greek or Latin. On the other hand,


Critias
    Part
107 Intro  |  verisimilitude to his story. To the Greek such a tale, like that of
108 Intro  |            ought to explain that the Greek names were given to Solon
109 Intro  |              reason assigned for the Greek names occurring in the Egyptian
110 Intro  |             In contrasting the small Greek city numbering about twenty
111 Intro  |      variance with the simplicity of Greek notions. In the island of


Euthydemus
    Part
112 Intro  |           the decline of the earlier Greek philosophies, at a time
113 Intro  |             described as long dead, (Greek), and who died at the age
114 Intro  |              and plan are apt to be (Greek). But no arguments equally
115 Text   |              Note: the ambiguity of (Greek), ‘things visible and able
116 Text   |           visible and able to see,’ (Greek), ‘the speaking of the silent,’


Euthyphro
    Part
117 Intro  |            in process of forgetting. Greek mythology hardly admitted


The First Alcibiades
    Part
118 Pre    |             likely to have occurred. Greek literature in the third
119 Pre    |           the genuineness of ancient Greek authors may be summed up
120 Intro  |       justice, as he has learned the Greek language of them? To this
121 Intro  |         answers, that they can teach Greek, but they cannot teach justice;
122 Text   |          example, I learned to speak Greek of them, and I cannot say
123 Text   |            attribute my knowledge of Greek, if not to those good-for-nothing
124 Text   |              good enough teachers of Greek, and some of their instructions
125 Text   |            that you mean by speaking Greek.~ALCIBIADES: True.~SOCRATES:


Gorgias
    Part
126 Intro  |             he is characteristically Greek. Like Anytus in the Meno,
127 Intro  |              is the end of life.~The Greek in the age of Plato admitted
128 Intro  |              sophistry of an ancient Greek sophist is nothing compared
129 Intro  |              the two greatest of the Greek dramatists owe their sublimity
130 Intro  |              with other fragments of Greek tradition.~The myth of the
131 Intro  |          anything like them in other Greek writings which have a serious


Laches
    Part
132 Text   |        fighting; but the heavy-armed Greek fights, as I say, remaining


Laws
    Book
133 1      |          people known to us, whether Greek or barbarian, whom the legislator


Lysis
    Part
134 Intro  |           rich in the description of Greek life. The question is again
135 Intro  |         first, the scene, which is a Greek Palaestra, at a time when
136 Intro  |        Symposium; Laws).~Leaving the Greek or ancient point of view,


Menexenus
    Part
137 Pre    |             likely to have occurred. Greek literature in the third
138 Pre    |           the genuineness of ancient Greek authors may be summed up


Meno
    Part
139 Intro  |           answers in the spirit of a Greek gentleman, and in the words
140 Intro  |           prior to the senses.~Early Greek speculation culminates in
141 Intro  |              late birth of the early Greek philosophy, and were the
142 Text   |         hither, boy.~SOCRATES: He is Greek, and speaks Greek, does
143 Text   |              He is Greek, and speaks Greek, does he not?~MENO: Yes,


Parmenides
    Part
144 Intro  |         Parmenides in the history of Greek philosophy. He is the founder
145 Intro  |             which underlay the early Greek philosophy. ‘Ideas must
146 Intro  |           individuals. But the early Greek philosopher never clearly
147 Intro  |              pressed harder upon the Greek than upon ourselves. For
148 Intro  |        easily imagine that among the Greek schools of philosophy in
149 Intro  |          two-fold translation of the Greek ousia.~So the human mind


Phaedo
    Part
150 Intro  |               which may be traced in Greek poetry or philosophy, and
151 Intro  |            the other abstractions of Greek philosophy, sank deep into
152 Intro  |             but a feeble hold on the Greek mind. Like the personality
153 Intro  |           was far less marked to the Greek than to ourselves. And as
154 Intro  |         times than is found in early Greek philosophy, and hence the
155 Intro  |              the order of thought in Greek philosophy. And we might
156 Intro  |             Some resemblances to the Greek drama may be noted in all
157 Intro  |           fulfilled the condition of Greek, or rather of all art, which


Phaedrus
    Part
158 Intro  |           the spirit which hung over Greek literature for a thousand
159 Intro  |   abstraction of morality and of the Greek manner of regarding the
160 Intro  |               more than in any other Greek writer, the local and transitory
161 Intro  |          with Plato himself and with Greek notions generally. He is
162 Intro  |      friendship over the mind of the Greek. The master in the art of
163 Intro  |     prevalent at Athens and in other Greek cities; or that friendships
164 Intro  |              in the fairest works of Greek art, Plato ever conceived
165 Intro  |     Christian doctrines in these old Greek legends? While acknowledging
166 Intro  |         under the marble exterior of Greek literature was concealed
167 Intro  |            to her.~ON THE DECLINE OF GREEK LITERATURE.~One of the main
168 Intro  |         interminable marsh, in which Greek literature was soon to disappear.
169 Intro  |         vision of the decline of the Greek drama and of the contrast
170 Intro  |            And from this decline the Greek language and literature,
171 Intro  |           Christian reproductions of Greek plays, novels like the silly
172 Intro  |              language or in art. The Greek world became vacant, barbaric,
173 Intro  |             the innumerable rolls of Greek literature.~If we seek to
174 Intro  |        ancient standard of classical Greek art and literature that
175 Intro  |              is doubtful whether any Greek author was justly appreciated
176 Intro  |              part of them, while the Greek fathers were mostly preserved.
177 Intro  |              Italy.~The character of Greek literature sank lower as


Philebus
    Part
178 Intro  |            is to us easy; but to the Greek in a particular stage of
179 Intro  |             beautiful and good. To a Greek of the age of Plato, the
180 Intro  |            he had no conception.~The Greek conception of the infinite
181 Intro  |             must repeat, that to the Greek ‘the good is of the nature
182 Intro  |           unfortunately no school of Greek philosophy known to us which


Protagoras
    Part
183 Intro  |        distinction is drawn between (Greek) to be, and (Greek) to become:
184 Intro  |          between (Greek) to be, and (Greek) to become: to become good
185 Intro  |     absurdity of the explanation of (Greek), which is hardly consistent
186 Intro  |             poem. The opposition of (Greek) and (Greek) seems also
187 Intro  |           opposition of (Greek) and (Greek) seems also intended to
188 Intro  |          uses the Lesbian (?) word, (Greek), because he is addressing
189 Text   |             as well ask, Who teaches Greek? For of that too there will
190 Text   |           good is hard, he inserted (Greek) ‘on the one hand’ (‘on
191 Text   |             for the introduction of (Greek), unless you suppose him
192 Text   |      trajection of the word ‘truly’ (Greek), construing the saying
193 Text   |       accounts for the insertion of (Greek) ‘on the one hand,’ and


The Second Alcibiades
    Part
194 Pre    |      distinction of being, among all Greek or Roman writings, the one


The Sophist
    Part
195 Intro  |           dialogues. Like mythology, Greek philosophy has a tendency
196 Intro  |           Symp.; Meno). In the later Greek, again, ‘sophist’ and ‘philosopher’
197 Intro  |         imitation: in the decline of Greek thought there was no original
198 Intro  |            all of them. And in later Greek literature, the distinction
199 Intro  |     attributes to them that peculiar Greek sympathy with youth, which
200 Intro  |            we find no other trace in Greek philosophy; he combines
201 Intro  |          other difficulties of early Greek philosophy, is to be sought
202 Intro  |           falsehood, the mind of the Greek thinker was lost in the
203 Intro  |               in the language of the Greek poet, ‘There is a great
204 Intro  |             Hegel, as to the ancient Greek thinkers, philosophy was
205 Intro  |             s treatment of the early Greek thinkers affords the readiest
206 Intro  |           second stages of the early Greek philosophy. Is there any
207 Intro  |            predecessors, or from the Greek philosophy, and these generally
208 Intro  |           our being the heirs of the Greek philosophers can give us
209 Intro  |             has done more to explain Greek thought than all other writers


The Statesman
    Part
210 Intro  |         prevail in the world. To the Greek, nomos was a sacred word,
211 Intro  |             speech. The ideal of the Greek state found an expression
212 Intro  |            often observed in the old Greek revolutions, and not without
213 Intro  |         doubted how far, either in a Greek or modern state, such a
214 Intro  |          words. The law which to the Greek was the highest object of
215 Intro  |       contemplate the decline of the Greek cities which were far worse


The Symposium
    Part
216 Intro  |       Platonic work the Symposium is Greek both in style and subject,
217 Intro  |          philosophies. The genius of Greek art seems to triumph over
218 Intro  |           despots. The experience of Greek history confirms the truth
219 Intro  |              to a serious problem of Greek philosophy (compare Arist.
220 Intro  |          East was not strange to the Greek of the fifth century before
221 Intro  |            images of visible beauty (Greek), and from the hypotheses
222 Intro  |              eternal (compare Symp. (Greek) Republic (Greek) also Phaedrus).
223 Intro  |              Symp. (Greek) Republic (Greek) also Phaedrus). Under one
224 Intro  |          regard the greatest evil of Greek life as a thing not to be
225 Intro  |            feeling of romance in the Greek mind. The passion of love
226 Intro  |            the other; and in certain Greek states, especially at Sparta
227 Intro  |              Mem.), nor is there any Greek writer of mark who condones
228 Intro  |              It is not likely that a Greek parent committed him to
229 Intro  |             entered into one part of Greek literature, but not into
230 Intro  |             the ludicrous in the old Greek Comedy, as it has been in
231 Intro  |              And the greater part of Greek literature, beginning with
232 Intro  |       possible that the malignity of Greek scandal, aroused by some
233 Intro  |             great gulf fixed between Greek and Christian Ethics, yet,
234 Intro  |            shall alone be tolerated (Greek); and that the lesson of
235 Intro  |          seems to have died out with Greek civilization. Among the
236 Text   |         Probably a play of words on (Greek), ‘bald-headed.’) man, halt!


Theaetetus
    Part
237 Intro  |          Theat; Soph.). No school of Greek philosophers exactly answers
238 Intro  |             another.~The want of the Greek mind in the fourth century
239 Intro  |            both ‘one’ and ‘other’ in Greek are called ‘other’—eteron).
240 Intro  |         other notions of the earlier Greek philosophy, it was held
241 Intro  |           another in the mind of the Greek living in the fifth or fourth
242 Intro  |          word for it; even the later Greek philosophy has not the Kantian
243 Intro  |              is to be found in early Greek thought. In the Theaetetus
244 Text   |              the same (Both words in Greek are called eteron: compare


Timaeus
    Part
245 Intro  |              the genius of Plato and Greek philosophy reacted upon
246 Intro  |         reacted upon the East, and a Greek element of thought and language
247 Intro  |         between Hellas and the East—(Greek) (Rep.). Whereas the so-called
248 Intro  |         mysticism of Plato is purely Greek, arising out of his imperfect
249 Intro  |              not in another, and the Greek language had not as yet
250 Intro  |          retains traces of the first Greek prose composition; for the
251 Intro  |             which she presented to a Greek philosopher of the fourth
252 Intro  |              as they appeared to the Greek. The philosopher himself
253 Intro  |         poems of Homer were to early Greek history. They made men think
254 Intro  |              modern science. But the Greek was not, like the enquirer
255 Intro  |           observation of nature. The Greek philosopher looked at the
256 Intro  |            double meanings of words (Greek), and the accidental distinctions
257 Intro  | corresponding differences in things (Greek). ‘If they are the same,
258 Intro  |         which comprehended them—the (Greek), as it was technically
259 Intro  |          which were possessed by the Greek philosopher; having the
260 Intro  |             to the mind of the early Greek philosopher. He would have
261 Intro  |        illusion? When we remark that Greek physics soon became stationary
262 Intro  |          might as well maintain that Greek art was not real or great,
263 Intro  |            aut secundum, as say that Greek physics were a failure because
264 Intro  |            be untrue to say that the Greek, any more than the Hebrew,
265 Intro  |              even a name, in ancient Greek philosophy. To this principle
266 Intro  |              Plato mean by essence, (Greek), which is the intermediate
267 Intro  |              and the things of mind—(Greek) and (Greek). By (Greek)
268 Intro  |          things of mind—(Greek) and (Greek). By (Greek) he clearly
269 Intro  |              Greek) and (Greek). By (Greek) he clearly means some conception
270 Intro  |             belongs to the class of (Greek). Matter, being, the Same,
271 Intro  |             jealousy of God; and the Greek had imagined that there
272 Intro  |             connecting link between (Greek) and (Greek). Yet, on the
273 Intro  |            link between (Greek) and (Greek). Yet, on the other hand,
274 Intro  |      reflections we may conceive the Greek to have attained the metaphysical
275 Intro  |        perplexity to the mind of the Greek, who was driven to find
276 Intro  |               Not only Buddhism, but Greek as well as Christian philosophy,
277 Intro  |             first dim perception of (Greek) or matter, which has played
278 Intro  |          metaphysics. Neither of the Greek words by which it is described
279 Intro  |          Neither Plato nor any other Greek would have spoken of (Greek)
280 Intro  |          Greek would have spoken of (Greek) or (Greek) in the same
281 Intro  |           have spoken of (Greek) or (Greek) in the same manner as we
282 Intro  |           place. Into the confusion (Greek) which preceded Plato does
283 Intro  |             far from being elements (Greek) or letters in the higher
284 Intro  |             another round and round (Greek). Like the atomists, Plato
285 Intro  |             the meaning of the word (Greek), which is translated either ‘
286 Intro  |            Grote supposes, not that (Greek) means ‘revolving,’ or that
287 Intro  |         Aristotle De Coelo, Book II (Greek) clearly shows, although
288 Intro  |     Simplicius supposed, understood (Greek) in the Timaeus to mean ‘
289 Intro  |           would be unmeaning unless (Greek) in the first passage meant
290 Intro  |        intended to give to the word (Greek). For the citations of Plato
291 Intro  |            the Phaedrus, and to the (Greek) of the Republic and Nicomachean
292 Intro  |             same and other with the (Greek) of the Philebus. We may
293 Intro  |        worked. The circular impulse (Greek) of the one philosopher
294 Intro  |            to the circular movement (Greek) of the other. But unlike
295 Intro  |           also be compared with his (Greek). The passage of one element
296 Intro  |             the centre of the world (Greek), we have a parallel to
297 Intro  |         earth and the counter-earth (Greek), and in the midst of them
298 Intro  |             idealist philosopher, is Greek and not Oriental in spirit
299 Intro  |      doctrine take possession of the Greek mind, and so natural is
300 Intro  |            difficult and intractable Greek. In his treatise De Natura
301 Intro  |             of philosophy and of the Greek mind in the original cannot
302 Intro  |            do not occur in classical Greek. No other indication of
303 Intro  |        lively saying of Hegel, that ‘Greek history began with the youth
304 Intro  |           wanting in Platonic irony (Greek—a word to the wise). ‘To
305 Text   |            the colour called auburn (Greek). The law of proportion,
306 Text   |        purple, but it becomes umber (Greek) when the colours are burnt
307 Text   |             with them. Flame-colour (Greek) is produced by a union
308 Text   |             union of auburn and dun (Greek), and dun by an admixture
309 Text   |              and white; pale yellow (Greek), by an admixture of white
310 Text   |             black, become dark blue (Greek), and when dark blue mingles
311 Text   |            with white, a light blue (Greek) colour is formed, as flame-colour
312 Text   |              black makes leek green (Greek). There will be no difficulty