The Apology
    Part
  1 Intro|            the loose and desultory style is an imitation of the ‘
  2 Intro|         apology for his colloquial style; he is, as he has always
  3 Intro|             assumes the same legal style.~The answer begins by clearing
  4 Text |         nor do I now repent of the style of my defence; I would rather


Charmides
    Part
  5 PreF |            variety of doctrine and style, which must be equally acknowledged
  6 PreF |       admits works so different in style and matter to have been
  7 PreS |            it should be equable in style. There must also be quantity,
  8 PreS |           general character of the style. Hence arises a difficulty
  9 PreS |         the life and beauty of the style are impaired by the latter.
 10 PreS |   paragraph, but in the colour and style of the whole work. Equability
 11 PreS |           exception to the general style, is of itself a disturbing
 12 PreS |           language. In general the style of one author is not appropriate
 13 PreS |      disturbs the even flow of the style. It may be used to reproduce
 14 PreS |            Anytus, the patronizing style of Protagoras, the self-consciousness
 15 PreS |            they are all similar in style or motive, like witnesses


Cratylus
    Part
 16 Intro|          humour, and perfection of style and metaphysical originality,
 17 Intro|     Rabelais; such, in a different style, were Sterne, Jean Paul,
 18 Intro|     determined with certainty. The style and subject, and the treatment
 19 Intro|        there is still a provincial style, which has been sometimes
 20 Intro|          lends a nameless grace to style which we have a difficulty
 21 Intro|         from tautology. No English style is thought tolerable in
 22 Intro|          affecting both syntax and style, is idiom. The meaning of


Euthydemus
    Part
 23 Intro|         the similarity in plan and style to the Protagoras, Charmides,
 24 Intro|      precarious, as arguments from style and plan are apt to be (
 25 Text |          saying in a more artistic style: or at least take up the


The First Alcibiades
    Part
 26 Pre  |           them. Some difference of style, or inferiority of execution,


Gorgias
    Part
 27 Intro|       doing.~Socrates replies in a style of playful irony, that before
 28 Intro|            They are very simple in style; a few touches bring the
 29 Text |           say in your own peculiar style; but if you have any questions
 30 Text |       Callicles, in your grandiose style, he would bury you under


Laches
    Part
 31 Text |            cavalry and every other style of soldier; and not only


Laws
    Book
 32 3    |  performers allowed to confuse one style of music with another. And
 33 5    |    imparted to them by the present style of admonition, which only
 34 7    |            character in respect of style, song, and dance, and of
 35 8    |        forth another, whom we will style the more heavily armed,
 36 10   |        even if we have failed, the style of our argument will not


Lysis
    Part
 37 Intro|           of Lysis, respecting the style of conversation which he


Menexenus
    Part
 38 Pre  |           them. Some difference of style, or inferiority of execution,
 39 Intro|            have written in his own style. The orators had recourse


Meno
    Part
 40 Text |      questions in a grand and bold style, which becomes those who
 41 Text |         those who know, and is the style in which he himself answers


Parmenides
    Part
 42 Intro|         The Parmenides in point of style is one of the best of the
 43 Intro|            are an imitation of the style of Lysias, or as the derivations


Phaedrus
    Part
 44 Intro|            dialogue appear to be a style of composition in which
 45 Intro|         composed ‘in that balanced style in which the wise love to
 46 Intro|       relieves the monotony of the style.~But Plato had doubtless
 47 Intro|     thought, the perfection of the style, the insight, the relation
 48 Intro|           and the character of the style, we shall not be far wrong


Philebus
    Part
 49 Intro|    writings of Plato, in which the style has begun to alter, and
 50 Intro|           well as other defects of style, which remind us of the
 51 Intro|          indications, derived from style as well as subject, that
 52 Intro| Notwithstanding the differences of style, many resemblances may be


Protagoras
    Part
 53 Intro|        brevity, which was also the style of primitive antiquity and
 54 Intro|      Socrates’ earnestness and his style of discussion.~The Protagoras
 55 Text |           first draws lines with a style for the use of the young
 56 Text |      Lacedaemonian brevity was the style of primitive philosophy.


The Republic
    Book
 57 1    |        laugh; that's your ironical style! Did I not foresee-have
 58 2    |           to honor in a far better style than the just, and therefore
 59 2    |            generation. This is the style in which they praise justice.
 60 2    |           and sweets in the modern style. ~Yes, I said, now I understand:
 61 3    |            let us now speak of the style; and when this has been
 62 3    |            that he assimilates his style to that of the person who,
 63 3    |           is likewise the opposite style, in which the poet is the
 64 3    |           and might proceed to the style. ~Yes, I remember. ~In saying
 65 3    |           is one sort of narrative style which may be employed by
 66 3    |         Homer, that is to say, his style will be both imitative and
 67 3    |         then, are the two kinds of style? ~Yes. ~And you would agree
 68 3    |            pretty much the same in style, and he will keep within
 69 3    |      rhythms, if the music and the style are to correspond, because
 70 3    |            correspond, because the style has all sorts of changes. ~
 71 3    |          Adeimantus; but the mixed style is also very charming: and
 72 3    |           you, is the most popular style with children and their
 73 3    |            would argue that such a style is unsuitable to our State,
 74 3    | story-teller, who will imitate the style of the virtuous only, and
 75 3    |       assimilate to a good and bad style; and that harmony and discord
 76 3    |      discord in like manner follow style; for our principle is that
 77 3    |           and the character of the style depend on the temper of
 78 3    |         And everything else on the style? ~Yes. ~Then beauty of style
 79 3    |       style? ~Yes. ~Then beauty of style and harmony and grace and
 80 3    |        composed in the panharmonic style, and in all the rhythms.


The Second Alcibiades
    Part
 81 Pre  |        over language, or beauty of style; and there is a certain


The Sophist
    Part
 82 Intro|         propounded by another.~The style, though wanting in dramatic
 83 Intro| notwithstanding the decline of the style, retain the impress of the
 84 Text |         conversation, of which the style is far from being agreeable


The Statesman
    Part
 85 Intro|        further remark a decline of style, and of dramatic power;
 86 Intro|           thought as to impair his style; at least his gift of expression
 87 Intro|          be used as a motto of his style: like an inexpert statuary
 88 Intro|    characteristic of Plato’s later style.~The king is the personification
 89 Intro|    characteristic of Plato’s later style, in which the thoughts of
 90 Intro|            tendency to monotony in style, the same self-consciousness,
 91 Intro|    characteristic of Plato’s later style.~3. The close connexion
 92 Intro|         differences of thought and style disappear or may be said
 93 Text |         recognize a kinsman by the style of his conversation. I myself
 94 Text |          straightforward and manly style; but you have fallen into


The Symposium
    Part
 95 Intro|         Symposium is Greek both in style and subject, having a beauty ‘
 96 Intro|          with the Phaedrus both in style and subject; they are the
 97 Text |          way (Iliad).~This was the style of their conversation as


Theaetetus
    Part
 98 Intro|        writings. The perfection of style, the humour, the dramatic
 99 Intro|          But when we pass from the style to an examination of the
100 Intro|            which differ greatly in style, were only appended after
101 Intro|         has been praising you in a style of which I never heard the
102 Intro|       helped himself in far better style.~‘You have made a most valorous
103 Intro|          assigning to it a form or style to which it has not yet
104 Text |            you discoursing in this style, I think that there is a
105 Text |     himself in a far more gloriose style.~THEODORUS: You are jesting,


Timaeus
    Part
106 Intro|            building in a different style, framed, not after the Socratic,
107 Intro|       involuntariness of vice.~The style and plan of the Timaeus
108 Intro|          up. He could write in one style, but not in another, and
109 Intro|       never attained to a periodic style. And hence we find the same
110 Text |          are shields and spears, a style of equipment which the goddess