Charmides
   Part
 1 PreS |     single paragraph, but in the colour and style of the whole work.
 2 Text |          which in seeing sees no colour, but only itself and other
 3 Text |        it sees itself must see a colour, for sight cannot see that
 4 Text |     cannot see that which has no colour.~No.~Do you remark, Critias,


Cratylus
   Part
 5 Intro|     under different disguises of colour and smell. Hector and Astyanax
 6 Intro|       how to use either a single colour, or a combination of colours.
 7 Intro|    insert or blot out a shade of colour to give effect to his picture.
 8 Text |     under different disguises of colour and smell, although to the
 9 Text |        and figure, and many have colour?~HERMOGENES: Certainly.~
10 Text |        thing, just as there is a colour, or sound? And is there
11 Text |          there not an essence of colour and sound as well as of
12 Text |        purple only, or any other colour, and sometimes mixes up
13 Text |       when he has to paint flesh colour or anything of that kind—
14 Text |         of your outward form and colour, but also creates an inward


Critias
   Part
15 Text |    different stones, varying the colour to please the eye, and to


Laws
   Book
16 2    |         or figure having a “good colour,” as the masters of choruses
17 12   |   execute in a month. White is a colour suitable to the Gods, especially


Lysis
   Part
18 Text |       the case of an ointment or colour which is put on another
19 Text |         anointed the same as the colour or ointment?~What do you


Meno
   Part
20 Intro|       the examples of figure and colour, and try to define them.’
21 Intro|         as ‘the accompaniment of colour.’ But some one may object
22 Intro|         the meaning of the word ‘colour;’ and if he is a candid
23 Intro|       still have a definition of colour. Some raillery follows;
24 Intro|          induced to reply, ‘that colour is the effluence of form,
25 Intro|  Socratic Dialogues, and gives a colour to all of them—that mankind
26 Text |          he similarly asked what colour is, and you answered whiteness,
27 Text |        you say that whiteness is colour or a colour? you would reply,
28 Text |         whiteness is colour or a colour? you would reply, A colour,
29 Text |       colour? you would reply, A colour, because there are other
30 Text |  question either about figure or colour, you were to reply, Man,
31 Text |       thing which always follows colour. Will you be satisfied with
32 Text |        that which always follows colour.~(SOCRATES: Granted.)~MENO:
33 Text |       that he does not know what colour is, any more than what figure
34 Text |       And now, Socrates, what is colour?~SOCRATES: You are outrageous,
35 Text |         says, ‘read my meaning:’—colour is an effluence of form,


Phaedo
   Part
36 Text |          to me that the bloom of colour, or form, or any such thing
37 Text |        with air and water have a colour of their own, and are seen
38 Text |       transparent, and fairer in colour than our highly-valued emeralds
39 Text |      which is all of a dark-blue colour, like lapis lazuli; and
40 Text |          least fear or change of colour or feature, looking at the


Phaedrus
   Part
41 Text |        and an aquiline nose; his colour is white, and his eyes dark;
42 Text |         flat-faced and of a dark colour, with grey eyes and blood-red


Philebus
   Part
43 Intro|        figure is like figure and colour like colour; yet we all
44 Intro|      like figure and colour like colour; yet we all know that there
45 Intro|     derived from beauty of form, colour, sound, smell, which are
46 Text |          my good friend, just as colour is like colour;—in so far
47 Text |           just as colour is like colour;—in so far as colours are
48 Text |     which are given by beauty of colour and form, and most of those


The Seventh Letter
   Part
49 Text |          view to giving a decent colour to Dion’s expulsion a witness


The Sophist
   Part
50 Text |   receiving also its appropriate colour.~THEAETETUS: Is not this


The Statesman
   Part
51 Intro|          is not yet enlivened by colour. And to intelligent persons


The Symposium
   Part
52 Intro|     cross-lights, so much of the colour of mythology, and of the


Theaetetus
   Part
53 Intro|          the sense of sight. The colour of white, or any other colour,
54 Intro|    colour of white, or any other colour, is neither in the eyes
55 Intro|     differences of form, number, colour. But the conception of an
56 Intro|    always attaching to them some colour or association of sense.
57 Intro|       use of the word there is a colour of sense, an indistinct
58 Intro|     differences of form, number, colour, and the like. Neither is
59 Intro| impressed upon the retina except colour, including gradations of
60 Intro|    proofs that our sensations of colour, taste, and the like, are
61 Intro|   thinkers, who in return take a colour from the popular language
62 Intro|        to the mind what too much colour is to the eye; but the truth
63 Intro|  exercise. Time, place, the same colour or sound or smell or taste,
64 Text |        that which you call white colour is not in your eyes, and
65 Text |         THEAETETUS: Then what is colour?~SOCRATES: Let us carry
66 Text |           black, and every other colour, arises out of the eye meeting
67 Text |          and that what we call a colour is in each case neither
68 Text |          object,—each variety of colour has a corresponding variety
69 Text |        combines in producing the colour; and so the eye is fulfilled
70 Text |       which combined to form the colour is fulfilled with whiteness,
71 Text |          and know the figure and colour of the letters, and we hear
72 Text |          is passing into another colour, and is never to be caught
73 Text |       still, can the name of any colour be rightly used at all?~


Timaeus
   Part
74 Intro|        and is of a bright yellow colour. A shoot of gold which is
75 Intro|      cooling, a stone of a black colour. When the earth is finer
76 Intro|         flashing, and produces a colour like blood—to this we give
77 Intro|         red and white produces a colour which we call auburn. The
78 Intro|    between the two, and a yellow colour. Hence they were more glutinous
79 Intro|         when intermixed, but the colour of red or fire predominates,
80 Intro|       bitter substance has a red colour, and this when mixed with
81 Intro|          substance has an auburn colour, when new flesh is decomposed
82 Intro|          the visual ray, a black colour is produced; if they are
83 Intro|         eye, and causes a bright colour. A more subdued light, on
84 Intro|          the eye, produces a red colour. Out of these elements all
85 Text |          glittering and a yellow colour. A shoot of gold, which
86 Text |          hard, and takes a black colour, is termed adamant. There
87 Text |         certain stone of a black colour. A like separation of the
88 Text |         the moisture, produces a colour like blood, to which we
89 Text |          red and white gives the colour called auburn (Greek). The
90 Text |      white, a light blue (Greek) colour is formed, as flame-colour
91 Text |           and gave them a yellow colour; wherefore the sinews have
92 Text |     circulates in the body has a colour such as we have described.
93 Text |          with blood has a redder colour; and this, when mixed with
94 Text |      grass; and again, an auburn colour mingles with the bitter
95 Text |        visible, and have a white colour arising out of the generation