The Apology
   Part
 1 Intro|   Socrates said, but an elaborate composition, quite as much so in fact


Charmides
   Part
 2 PreF |           matter to have been the composition of the same author, need
 3 PreS |      language or some accident of composition, is omitted in the Greek,
 4 PreS |     rendering of words, or in the composition of a sentence only, or yet


Cratylus
   Part
 5 Intro|   allusiveness of this species of composition; 2nd, the difficulty of
 6 Intro|          prose, the formation and composition of words, the laws of euphony
 7 Intro|          as in all nature, in the composition as well as in the motion
 8 Intro|        thoughts by the harmonious composition of the words, syllables,
 9 Intro|        words we notice a parallel composition of sounds in their English
10 Intro|       long or elaborate speech or composition is required to explain some
11 Text |          for if they are not, the composition of them, my dear Hermogenes,


The First Alcibiades
   Part
12 Pre  |           ones; and some kinds of composition, such as epistles or panegyrical
13 Intro|           from any other Platonic composition. The aim is more directly


Gorgias
   Part
14 Intro|        less of seriousness in her composition. Do we not often hear the
15 Text |       music is concerned with the composition of melodies?~GORGIAS: It


Ion
   Part
16 Intro|         touch of madness in their composition (Phaedr.), and should be


Laws
   Book
17 2    |          for so many ages are the composition of the Goddess Isis. And
18 2    |     correctly must know what each composition is; for if he does not know
19 7    | perceptions of rhythm and musical composition, that they might be able
20 10   |          other things, working in composition and decomposition, by increase
21 10   |           to growth and decay, to composition and decomposition, and to


Menexenus
   Part
22 Pre  |           ones; and some kinds of composition, such as epistles or panegyrical
23 Intro|           speaking is not his own composition. Thus in the Cratylus he


Parmenides
   Part
24 Intro|           The book was a youthful composition of mine, which was stolen
25 Intro|           sometimes in a state of composition, and sometimes of division: (
26 Text |  apprehend the true motive of the composition, which is not really such


Phaedo
   Part
27 Intro|  determine the real time of their composition, the Symposium, Meno, Euthyphro,
28 Text |   processes, such as division and composition, cooling and heating, which
29 Text |        the rest. Or if there were composition only, and no division of
30 Text |       that a harmony or any other composition can be in a state other


Phaedrus
   Part
31 Intro|           Although only a playful composition, it will be found to embody
32 Intro|           to any kind of literary composition, and to some species of
33 Intro|           appear to be a style of composition in which the requirement
34 Intro|           dialectic or the art of composition and division; fourthly,
35 Intro|       mind and truth with Art the composition of colours and forms; and
36 Intro|           them. The true rules of composition, which are very few, are
37 Text |       pleasure and grace in their composition. You may say that a courtesan
38 Text |      moved by her power; and this composition of soul and body is called
39 Text |          often a long and tedious composition. Now what is that sort of
40 Text |          the several parts of the composition?~PHAEDRUS: You have too
41 Text |    insight into his principles of composition.~SOCRATES: At any rate,
42 Text |            I mean to say that the composition was mostly playful. Yet
43 Text |        effectively, or making the composition a whole,—an application


Philebus
   Part
44 Intro|         now able to determine the composition of the perfect life. First,
45 Intro|          the sexes than about the composition of water. These and a few
46 Text |  resolution as well as a cause of composition?~SOCRATES: Not, I think,
47 Text |         finite, the infinite, the composition of the two, and the cause,
48 Text |       Unless truth enter into the composition, nothing can truly be created


Protagoras
   Part
49 Intro|  impressive manner that the whole composition is intended as an attack
50 Intro|        Dialogues, and the date of composition, have also been much disputed.
51 Intro|           determining the date of composition; and the affinities of the
52 Text |      think that the ode is a good composition, and true?~Yes, I said,
53 Text |          a contradiction, can the composition be good or true?~No, not


The Republic
   Book
54 3    |      power of command, and in the composition of these he has mingled


The Sophist
   Part
55 Intro|           universe by theories of composition and division, whether out


The Statesman
   Part
56 Intro|           two great categories of composition and division. Carding is
57 Intro|       each other, and the orderly composition of them forms a woollen
58 Intro|   conception of two great arts of composition and division, in which are
59 Text |  universal application—the art of composition and the art of division.~
60 Text |           a portion of the art of composition, and, dismissing the elements
61 Text |           one on the principle of composition, and the other on the principle
62 Text |          both to wool-working and composition, if we are ever to discover
63 Text |           that part of the art of composition which is employed in the


The Symposium
   Part
64 Intro|     interpretation than a musical composition; and every reader may form
65 Intro|     restored in the year 369, the composition of the Dialogue will probably
66 Text |        actual life, either in the composition of songs or in the correct


Theaetetus
   Part
67 Intro|           atoms, entered into the composition of the world; which could
68 Intro| consequence: and (6) there is the composition of these or the admixture
69 Intro|    against the use of them in the composition of men and animals. It is
70 Text |          SOCRATES: And in musical composition the musician will know better
71 Text |         of earth or dung in their composition, have the impressions indistinct,


Timaeus
   Part
72 Intro|        subject, but rather to the composition of bodies, to the relations
73 Intro|          of the first Greek prose composition; for the great master of
74 Intro|           time and space, and the composition of the elements: (4) in
75 Intro|            on the other hand, the composition of the deliquescent particles
76 Intro|         entered into the original composition of the human frame; the
77 Intro|         have some effect upon the composition of the world, and of this
78 Intro|         grows; they are a kind of composition with which his own philosophy
79 Text |         water entering into their composition.~I have thus shown the various