Cratylus
   Part
 1 Intro|      colour, or a combination of colours. And like the painter, we
 2 Intro|          as he who gives all the colours makes a good picture, and
 3 Text |       sometimes mixes up several colours, as his method is when he
 4 Text |         of that kind—he uses his colours as his figures appear to
 5 Text |         give all the appropriate colours and figures, or you may


Critias
   Part
 6 Intro|          made of stone of divers colours, black and white and red,
 7 Intro|       and silver, and variety of colours, seemed also to be at variance


Gorgias
   Part
 8 Intro|     terms are applied to bodies, colours, figures, laws, habits,
 9 Intro|      display his guilt in proper colours, and to sustain himself
10 Text |        by the help of lines, and colours, and enamels, and garments,
11 Text |          things, such as bodies, colours, figures, sounds, institutions,
12 Text |          would say of figures or colours generally that they were


Laws
   Book
13 2    |          can they, when the very colours of their faces differ?~Athenian.
14 2    |         in due order; also their colours and conformations, or whether
15 2    |         all his proper parts and colours and shapes, must we not
16 6    |         putting in or taking out colours, or whatever be the term
17 7    |        of the way in figures and colours and the like is held in


Lysis
   Part
18 Text |       changed into all manner of colours with delight.~Here, intending


Meno
   Part
19 Intro|          and black and white are colours, and yet there are other
20 Intro|          other figures and other colours. Let Meno take the examples
21 Text |          because there are other colours as well.~MENO: I should.~
22 Text |     would have told him of other colours which are colours just as
23 Text |          other colours which are colours just as much as whiteness.~


Phaedo
   Part
24 Intro|      heavenly earth is of divers colours, sparkling with jewels brighter
25 Intro|         of heaven or hell in the colours of the painter, or in the
26 Text |       and is decked with various colours, of which the colours used
27 Text |    various colours, of which the colours used by painters on earth
28 Text |         snow. Of these and other colours the earth is made up, and
29 Text |       the diversity of the other colours, so that the whole presents


Phaedrus
   Part
30 Intro|      with Art the composition of colours and forms; and perhaps he
31 Text |        hues of health having the colours of paint and ornament, and


Philebus
   Part
32 Intro|        variety among figures and colours. Protarchus does not see
33 Text |        like colour;—in so far as colours are colours, there is no
34 Text |         in so far as colours are colours, there is no difference
35 Text |         he changes all manner of colours, he gasps for breath, and
36 Text |        scratching. And there are colours which are of the same character,
37 Text |      from any admixture of other colours?~PROTARCHUS: Clearly that
38 Text |          the comparison of white colours, a little whiteness, if


The Seventh Letter
   Part
39 Text |          as to circular form, to colours, to the good, the, beautiful,
40 Text |         blazed up and turned all colours, as a man would in a rage.


The Sophist
   Part
41 Text |         that we attribute to him colours and forms and magnitudes


The Statesman
   Part
42 Intro|        unable to give the proper colours or proportions to his work.
43 Text |         given by the blending of colours. Now to intelligent persons


The Symposium
   Part
44 Text |         of mortality and all the colours and vanities of human life—


Theaetetus
   Part
45 Intro|          these are placed forms, colours, external bodies coming
46 Intro|   discriminating numbers, forms, colours, is not given by the sense,
47 Text |         certain that the several colours appear to a dog or to any
48 Text |          man see black and white colours? and with what does he hear
49 Text |   SOCRATES: How about sounds and colours: in the first place you
50 Text |        asking whether sounds and colours are saline or not, you would


Timaeus
   Part
51 Intro|      bodies, to the relations of colours, the nature of diseases,
52 Intro|          I will hereafter speak.~Colours are flames which emanate
53 Intro|       moisture, and all sorts of colours are generated by the mixture.
54 Intro|      according to which compound colours are formed, cannot be determined
55 Intro|     which becomes umber when the colours are burnt and there is a
56 Intro|   difficulty in seeing how other colours are probably composed. But
57 Intro|       and a suffusion of bilious colours when the liver is contracted,
58 Intro|     sustenance take all sorts of colours when intermixed, but the
59 Intro|         names answering to their colours. Lymph or serum is of two
60 Intro|        had no clear divisions of colours or substances; even the
61 Intro|         these elements all other colours are derived. All of them
62 Intro|        bad basis for a theory of colours. We must remember that they
63 Intro|         who tried experiments in colours would ‘forget the difference
64 Text |    called by the general name of colours, and are a flame which emanates
65 Text |        give a rational theory of colours.~Of the particles coming
66 Text |       moisture, and all sorts of colours are generated by the mixture.
67 Text |   according to which the several colours are formed, even if a man
68 Text |   becomes umber (Greek) when the colours are burnt as well as mingled
69 Text |         and by what mixtures the colours derived from these are made
70 Text |         the whole liver produces colours like bile, and contracting
71 Text |       food, acquire all sorts of colours by their inter-mixture;
72 Text |         veins, having variegated colours and bitter properties, as
73 Text | variously distinguished by their colours. As for serum, that sort