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The Apology
   Part
 1 Intro|             from the Memorabilia and Symposium of Xenophon, who belongs
 2 Intro|     introducing them together in the Symposium engaged in friendly intercourse.


Charmides
   Part
 3 PreF |               who assisted me in the Symposium; Mr. Raper, Fellow of Queen’
 4 PreF |             e.g. in the Phaedrus, or Symposium, when compared with the
 5 Intro|         quality’ as the Phaedrus and Symposium: and it is probable, though


Cratylus
   Part
 6 Intro|        dialogue, he speaks as in the Symposium and Republic of absolute
 7 Intro|          Socrates of the Apology and Symposium, not yet Platonized; and


The First Alcibiades
   Part
 8 Pre  |            in the Protagoras, in the Symposium, and to a certain extent
 9 Pre  |        respects at variance with the Symposium in the description of the
10 Pre  |         found in that passage of the Symposium in which Alcibiades describes
11 Intro|            the Protagoras and in the Symposium; in the latter dialogue,
12 Intro|         different places; for in the Symposium Alcibiades is depicted as
13 Intro|       Alcibiades and Socrates in the Symposium, should have treated them


Lysis
   Part
14 Intro|        continued in the Phaedrus and Symposium, and treated, with a manifest
15 Intro|              who declares, as in the Symposium, that he is ignorant of
16 Intro|          corruptions of it? (Compare Symposium; Laws).~Leaving the Greek
17 Intro|         person into a hero; (compare Symposium).~It is true that friendships


Menexenus
   Part
18 Pre  |            in the Protagoras, in the Symposium, and to a certain extent
19 Pre  |        respects at variance with the Symposium in the description of the
20 Pre  |         found in that passage of the Symposium in which Alcibiades describes
21 Intro|               and Plato, both in the Symposium and elsewhere, is not slow
22 Intro|              the genius loci; in the Symposium he derives his wisdom from


Meno
   Part
23 Intro|              or of enthusiasm in the Symposium, or of oracles in the Apology,


Phaedo
   Part
24 Intro|    Apollodorus, the same who, in the Symposium, of which he is the narrator,
25 Intro|            of their composition, the Symposium, Meno, Euthyphro, Apology,
26 Intro|              is to be like him.’ The Symposium may be observed to resemble


Phaedrus
   Part
27 Intro|           closely connected with the Symposium, and may be regarded either
28 Intro|              But in the Phaedrus and Symposium love and philosophy join
29 Intro|           the ideal, to which in the Symposium mankind are described as
30 Intro|            words of Pausanias in the Symposium, ‘there would be one answer
31 Intro|         become familiar to us in the Symposium, and is the expression partly
32 Intro|             is there anything in the Symposium, or in the Charmides, in
33 Intro|              ourselves. (See note on Symposium.)~In the Phaedrus, as well
34 Intro|          Phaedrus, as well as in the Symposium, there are two kinds of
35 Intro|          represented here, as in the Symposium, as one of the great powers
36 Intro|        connected as the Phaedrus and Symposium, there is great improbability
37 Intro|             especially the Phaedrus, Symposium, and portions of the Republic,


Philebus
   Part
38 Intro|            Phaedrus, and also in the Symposium, the dialectician is described
39 Intro|              the ideal beauty in the Symposium or the Phaedrus, or like


Protagoras
   Part
40 Intro|             many Dialogues (e.g. the Symposium and Republic, and already


The Second Alcibiades
   Part
41 Pre  |          Laws). An incident from the Symposium is rather clumsily introduced,


The Sophist
   Part
42 Intro|              is the mysticism of the Symposium. He does not deny the existence
43 Intro|       opposites in Plato, who in the Symposium denies the possibility of


The Statesman
   Part
44 Intro|            floating before us in the Symposium and the Republic. And in


The Symposium
   Part
45 -    |                                  The Symposium~
46 Intro|           all the works of Plato the Symposium is the most perfect in form,
47 Intro|              other Platonic work the Symposium is Greek both in style and
48 Intro|         there are more things in the Symposium of Plato than any commentator
49 Intro|           strain which he hears. The Symposium of Plato is a work of this
50 Intro|         especially applicable to the Symposium.~The power of love is represented
51 Intro|           love is represented in the Symposium as running through all nature
52 Intro|          nature. In the Phaedrus and Symposium love is not merely the feeling
53 Intro|          reason’ is the theme of the Symposium of Plato. And as there is
54 Intro|              which is reached in the Symposium is seen also to be the highest
55 Intro|          refers to this (e.g. in the Symposium) half in jest, yet ‘with
56 Intro|       character of Alcibiades in the Symposium is hardly less remarkable
57 Intro|         criterion of the date of the Symposium, except that which is furnished
58 Intro|            year of Plato’s life. The Symposium cannot therefore be regarded
59 Intro| consideration not worth raising.~The Symposium is connected with the Phaedrus
60 Intro|        points of comparison with the Symposium. For there, too, philosophy
61 Intro|               which remind us of the Symposium. But while the Phaedo and
62 Intro|          states of existence, in the Symposium there is no break between
63 Intro|          strength to go further.~The Symposium of Xenophon, in which Socrates
64 Intro|       references to the Phaedrus and Symposium, as well as to some of the
65 Intro|         genuineness of the work. The Symposium of Xenophon, if written
66 Intro|              writer. The (so-called) Symposium of Xenophon may therefore
67 Intro|             in time of the Phaedrus, Symposium, Phaedo. The order which
68 Text |                                      SYMPOSIUM~PERSONS OF THE DIALOGUE:


Theaetetus
   Part
69 Intro|             of the dialogue (compare Symposium, Phaedo, Parmenides), is
70 Intro|           which are described in the Symposium. The picture which Theodorus
71 Intro|         years, of the Protagoras and Symposium; he is still pursuing his


Timaeus
   Part
72 Intro|          exhibits in the Phaedrus or Symposium. Nothing can exceed the