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The Apology
   Part
 1 Intro|                                INTRODUCTION~In what relation the Apology


Charmides
   Part
 2 PreF |       errata at the end of the Introduction. The degree of accuracy
 3 PreS |   balance of sentences and the introduction of paragraphs at suitable
 4 Intro|                                INTRODUCTION~The subject of the Charmides


Cratylus
   Part
 5 Intro|                                INTRODUCTION~The Cratylus has always
 6 Intro|     them may form a convenient introduction to the general subject of
 7 Intro|      any others. See Phaedrus, Introduction.~There is another aspect
 8 Intro|    show more at length, in the Introduction to future dialogues, that
 9 Intro|       which he compares to the introduction of the ‘Deus ex machina’
10 Intro|       hearing poetry the first introduction of prose had the charm of


Critias
   Part
11 Intro|                                INTRODUCTION AND ANALYSIS~The Critias
12 Intro|     historical enquiries. (See Introduction to the Timaeus.)~In contrasting
13 Intro|         may have suggested the introduction of his name. Why the Critias


Crito
   Part
14 Intro|                                INTRODUCTION~The Crito seems intended


Euthydemus
   Part
15 Intro|                                INTRODUCTION~The Euthydemus, though apt
16 Intro|         Few will deny that the introduction of the words ‘subject’ and ‘


Euthyphro
   Part
17 Intro|                                INTRODUCTION~In the Meno, Anytus had


The First Alcibiades
   Part
18 Intro|                                Introduction~The First Alcibiades is


Gorgias
   Part
19 Intro|                                INTRODUCTION~In several of the dialogues
20 Intro|        a single idea. (Compare Introduction to the Phaedrus.)~Two tendencies
21 Intro|  Callicles is indignant at the introduction of such topics. But he is


Ion
   Part
22 Intro|                                INTRODUCTION~The Ion is the shortest,


Laches
   Part
23 Intro|                                INTRODUCTION~Lysimachus, the son of Aristides


Laws
   Book
24 11   |       Gods, will be a suitable introduction:—There are ancient customs


Lysis
   Part
25 Intro|                                INTRODUCTION~No answer is given in the
26 Intro|    Charmides and Laches by the introduction of the idea of knowledge,
27 Intro|      knowledge, so here by the introduction of the good, is deserving


Menexenus
   Part
28 Intro|                                INTRODUCTION~The Menexenus has more the
29 Intro|     the enquiry difficult; the introduction and the finale certainly


Meno
   Part
30 Intro|                                INTRODUCTION~This Dialogue begins abruptly


Parmenides
   Part
31 Intro|                                INTRODUCTION AND ANALYSIS~The awe with
32 Intro|      the Platonic Ideas in the Introduction to the Meno.)~The full discussion
33 Intro|   other, may be regarded as an introduction to the Sophist. Long ago,


Phaedo
   Part
34 Intro|                                INTRODUCTION~After an interval of some
35 Intro|  Terpsion will reappear in the Introduction to the Theaetetus, Hermogenes


Phaedrus
   Part
36 Intro|                                INTRODUCTION~The Phaedrus is closely
37 Intro|     upon his commentators. The introduction of a considerable writing
38 Text |    made sonorous by the modern introduction of the letter Omega (oionoistike


Philebus
   Part
39 Intro|                                INTRODUCTION AND ANALYSIS~The Philebus
40 Text |     heat prevail, does not the introduction of them take away excess


Protagoras
   Part
41 Intro|                                INTRODUCTION~The Protagoras, like several
42 Intro|      is nothing however in the introduction which leads to the inference
43 Intro|   which Socrates speaks of the introduction of the poets as a substitute
44 Intro|     description of them in the introduction. It may be remarked that
45 Text |     would be no reason for the introduction of (Greek), unless you suppose


The Republic
   Book
46 7    |      and rebelling against the introduction of visible or tangible objects


The Sophist
   Part
47 Intro|                                INTRODUCTION AND ANALYSIS~The dramatic


The Statesman
   Part
48 Intro|                                INTRODUCTION AND ANALYSIS~In the Phaedrus,
49 Intro|     larger conception (compare Introduction to Critias). The young Socrates
50 Intro|     better than Plato that the introduction of the gods is not a reason,
51 Intro|      or telegraphs, hardly the introduction of new laws or modes of


The Symposium
   Part
52 Intro|                                INTRODUCTION~Of all the works of Plato


Theaetetus
   Part
53 Intro|                                INTRODUCTION AND ANALYSIS~Some dialogues
54 Intro|     attached to the accidental introduction of the founder of the Megarian
55 Intro|       pathetic interest of the introduction.~Theodorus, the geometrician,
56 Intro|    there is no allusion in the Introduction to the second and third
57 Intro|     There is no reason for the introduction of such a digression; nor
58 Intro|  needed, any more than for the introduction of an episode in a poem,
59 Intro|        into his mouth (compare Introduction to the Gorgias) which must
60 Intro|    mankind in general (compare Introduction to the Sophist).~And not


Timaeus
   Part
61 Intro|                                INTRODUCTION AND ANALYSIS~Of all the
62 Intro|       the beauty or art of the introduction, in which he is using words
63 Intro|       I propose to divide this Introduction into sections, of which
64 Intro| temples. The truth is that the introduction is a mosaic work of small
65 Intro| Timaeus of Plato, omitting the introduction or dialogue and making a