Book, Paragraph

 1   I,  3| considered to be hot, is really white and not fiery in colour.~
 2   I,  5|     appear when fire-colour and white are combined by superposition.
 3   I,  5|         a "trench".~In general, white in contrast with black creates
 4  II,  3|         taste, and it is not as white as salt generally is. Another
 5  II,  5|      enough: for the so-called "white south winds" do blow at
 6 III,  4|   nearer and lighter in colour. White light through a dark medium
 7 III,  4|        is mixed with the bright white firelight: so, too, the
 8 III,  4|        as a circle which is not white but purple. It shows the
 9 III,  4|       and lay down: first, that white colour on a black surface
10 III,  4|        look coloured at all but white, but when we look at the
11 III,  4|        look darker, so it makes white look less white, changing
12 III,  4|        it makes white look less white, changing it and bringing
13 III,  4|      the whole of the red shows white by contrast with the blackness
14 III,  4|         cloud around: for it is white compared to the cloud and
15 III,  4|      the red is dissolving, the white cloud is brought into contact
16 III,  4|        contrast. It looks quite white: this is because it appears
17 III,  4|         which is in some degree white look quite white. Bright
18 III,  4|         degree white look quite white. Bright dyes too show the
19 III,  4|  instance, appears different on white and on black wool), and
20 III,  6|         appear, but, the bright white light of the sun, to which
21 III,  6|   throughout. This is why it is white: the uniform character of
22 III,  6|       So the sun’s colour being white, the mock sun is white too.
23 III,  6|    being white, the mock sun is white too. This, too, is the reason
24  IV,  8|         action. (For a thing is white, fragrant, sonant, sweet,