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 1 3|           each sensory organ, viz. colour, sound, odour, savour, touch,
 2 3|         for example, we should say colour is, or sound, or odour,
 3 3|           of] touch. We begin with colour.~Now, each of them may be
 4 3|        explained in what sense the colour, or sound, regarded as actualized [
 5 3|            of Light that it is the colour of the Translucent, [being
 6 3|           something real; and that colour is just this "something"
 7 3|      externally, is the vehicle of colour exists [as such a possible
 8 3|        bodies] are seen to possess colour; for their brightness is
 9 3|     brightness is of the nature of colour. But the colour which air
10 3|          nature of colour. But the colour which air or sea presents,
11 3|          in determinate bodies the colour presented is definitely
12 3|            which is susceptible of colour is in both cases the same.
13 3|          causes them to partake of colour. But since the colour is
14 3|           of colour. But since the colour is at the extremity of the
15 3|         follows that we may define colour as the limit of the Translucent
16 3|          appear to possess a fixed colour of their own, it is at the
17 3|            all alike exhibit their colour.~Now, that which when present
18 3|          and, as it must have some colour, and can have neither of
19 3|        have neither of these, this colour must be of a mixed character—
20 3|    character—in fact, a species of colour different from either. Such,
21 3|            vivid upon a more vivid colour, as when they desire to
22 3|          To [introduce a theory of colour which would set all these
23 3| unperceived, and that the compound colour seen may appear to be one,
24 3|            the medium by the upper colour, when this is itself unaffected,
25 3|         affected by the underlying colour. Hence it presents itself
26 3|     presents itself as a different colour, i.e. as one which is neither
27 3|        blacks and whites, some one colour should not appear to present
28 3|        thus mixed, their resultant colour presents itself as one and
29 4|            have now explained what colour is, and the reason why there
30 4|            quality [as that of the colour or savour], so nature, too,
31 4|       Seeing is not deceived as to Colour, nor is that of Hearing
32 4|       involve contrariety; e.g. in Colour White is contrary to Black,
33 6|         are its sensible qualities—Colour, Savour, Odour, Sound, Weight,
34 6|        body existing but having no colour, or weight, or any such
35 6|        question why the species of Colour, Taste, Sound, and other
36 6|      involves contrariety: e.g. in Colour, White x Black; in Savour,
37 6|           also true in the case of Colour and Light? For certainly
38 7|         and [in other provinces] a colour, or to discern the nete
39 7|       these are, [in the sphere of colour, for instance], classed
40 7|  exercising Sight] to perceive one colour with one part, and another
41 7|         with one part, and another colour with a different part, it