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 1 I    |        number and nature of the parts of which a poem is composed;
 2 V    |    poetry.~Of their constituent parts some are common to both,
 3 VI   |         being found in separate parts of the play; in the form
 4 VI   |       several kinds in separate parts," I mean, that some parts
 5 VI   |       parts," I mean, that some parts are rendered through the
 6 VI   |        therefore, must have six parts, which parts determine its
 7 VI   |      must have six parts, which parts determine its quality—namely,
 8 VI   |     Spectacle, Song. Two of the parts constitute the medium of
 9 VI   |      and Recognition scenes—are parts of the plot. A further proof
10 VI   |        its own, but, of all the parts, it is the least artistic,
11 VII  |        or any whole composed of parts, must not only have an orderly
12 VII  |       an orderly arrangement of parts, but must also be of a certain
13 VIII |         structural union of the parts being such that, if any
14 XI   |         known to Iphigenia.~Two parts, then, of the Plot—Reversal
15 XII  |                         XII~The parts of Tragedy which must be
16 XII  |        come to the quantitative parts—the separate parts into
17 XII  | quantitative parts—the separate parts into which Tragedy is divided—
18 XII  |       of Chorus and actors. The parts of Tragedy which must be
19 XII  |     mentioned. The quantitative parts—the separate parts into
20 XII  | quantitative parts—the separate parts into which it is divided—
21 XVIII|    Every tragedy falls into two parts—Complication and Unraveling
22 XIX  |  Diction and Thought, the other parts of Tragedy having been already
23 XX   |  general includes the following parts: Letter, Syllable, Connecting
24 XX   |         not employ the separate parts as if each were in itself
25 XX   |          some at least of whose parts are in themselves significant;
26 XX   |        as consisting of several parts linked together. Thus the
27 XX   |         the linking together of parts, the definition of man by
28 XXIII|      but with a multiplicity of parts. Thus did the author of
29 XXIV |     ethical,"or "pathetic." The parts also, with the exception
30 XXIV |       be composed of irrational parts. Everything irrational should,
31 XXVI |   Odyssey, which have many such parts, each with a certain magnitude
32 XXVI |         their several kinds and parts, with the number of each