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 1 I   |       persons who, by conscious art or mere habit, imitate and
 2 I   |      movement.~There is another art which imitates by means
 3 IV  |       larger and higher form of art.~Whether Tragedy has as
 4 VI  |         is, that novices in the art attain to finish of diction
 5 VI  |       function of the political art and of the art of rhetoric:
 6 VI  |        political art and of the art of rhetoric: and so indeed
 7 VI  |        connected least with the art of poetry. For the power
 8 VI  |     effects depends more on the art of the stage machinist than
 9 VIII|    merit, here too—whether from art or natural genius—seems
10 XIII|       according to the rules of art should be of this construction.
11 XIV | subjects of tragedy. It was not art, but happy chance, that
12 XVI |         that account wanting in art. For example, Orestes in
13 XIX |        knowledge belongs to the art of Delivery and to the masters
14 XIX |         censure upon the poet’s art. For who can admit the fault
15 XIX |         that belongs to another art, not to poetry.~
16 XXIV|  chiefly taught other poets the art of telling lies skilfully.
17 XXV |         in poetry and any other art. Within the art of poetry
18 XXV |       any other art. Within the art of poetry itself there are
19 XXV |        example, or in any other art—the error is not essential
20 XXV |    which concern the poet’s own art. If he describes the impossible,
21 XXV |    justified, if the end of the art be thereby attained (the
22 XXV |     special rules of the poetic art, the error is not justified:
23 XXV |        essentials of the poetic art, or some accident of it?
24 XXV |  respect to the requirements of art, a probable impossibility
25 XXVI|     higher. If the more refined art is the higher, and the more
26 XXVI|    better sort of audience, the art which imitates anything
27 XXVI|        held of Pindarus. Tragic art, then, as a whole, stands
28 XXVI|    poetic but to the histrionic art; for gesticulation may be
29 XXVI|   representation. Moreover, the art attains its end within narrower
30 XXVI|  specific function better as an art—for each art ought to produce,
31 XXVI|       better as an art—for each art ought to produce, not any
32 XXVI|      that tragedy is the higher art, as attaining its end more