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 1 IV   |         and assigned the leading part to the dialogue. Sophocles
 2 VI   |  Spectacular equipment will be a part of Tragedy. Next, Song and
 3 VII  |       sensuous presentment is no part of artistic theory. For
 4 VIII |    difference, is not an organic part of the whole.~
 5 XI   |          upon surprises. A third part is the Scene of Suffering.
 6 XII  |          Prologue is that entire part of a tragedy which precedes
 7 XII  |       The Episode is that entire part of a tragedy which is between
 8 XII  |         The Exode is that entire part of a tragedy which has no
 9 XII  |          after it. Of the Choric part the Parode is the first
10 XVI  | involving false inference on the part of one of the characters,
11 XVIII|   beginning of the action to the part which marks the turning-point
12 XVIII|        owing to its length, each part assumes its proper magnitude.
13 XVIII|         tale of Niobe, and not a part of her story, like Aeschylus,
14 XVIII|         it should be an integral part of the whole, and share
15 XX   |          only one which can form part of a group of sounds. For
16 XX   |        marking time, of which no part is in itself significant:
17 XX   |        which, as in the noun, no part is in itself significant.
18 XX   |     always have some significant part, as "in walking," or "Cleon
19 XXI  |          is contracted when some part of it is removed. Instances
20 XXI  |     altered word is one in which part of the ordinary form is
21 XXI  |      form is left unchanged, and part is recast: as in dexiteron
22 XXII |     because such phrases are not part of the current idiom that
23 XXIV |      action on the stage and the part taken by the players. But
24 XXIV |          rightly appreciates the part he should take himself.
25 XXV  |      effect of this or any other part of the poem is thus rendered
26 XXV  |        verse, "alone she hath no part... , oie, ‘alone" is metaphorical;