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 1 III  |   before us.~These, then, as we said at the beginning, are the
 2 V    |         V~Comedy is, as we have said, an imitation of characters
 3 VI   |      from what has been already said.~Tragedy, then, is an imitation
 4 VI   |       mean, as has been already said, the expression of the meaning
 5 IX   |      evident from what has been said, that it is not the function
 6 XI   |       and action is, as we have said, the recognition of persons.
 7 XIII |        to what has already been said, we must proceed to consider
 8 XIII |    unhappily. It is, as we have said, the right ending. The best
 9 XIV  |      these.~Enough has now been said concerning the structure
10 XV   |         though the woman may be said to be an inferior being,
11 XV   |         of this enough has been said in our published treatises.~
12 XVI  |     Disguised as a Messenger. A said [that no one else was able
13 XVIII|    remember what has been often said, and not make an Epic structure
14 XIX  |  Thought, we may assume what is said in the Rhetoric, to which
15 XXIV |      Nature herself, as we have said, teaches the choice of the
16 XXV  |         are, things as they are said or thought to be, or things
17 XXV  |       to be"; just as Sophocles said that he drew men as they
18 XXV  |        anyhow, "this is what is said." Again, a description may
19 XXV  | examining whether what has been said or done by some one is poetically
20 XXV  |     also consider by whom it is said or done, to whom, when,
21 XXV  |        wine". Hence Ganymede is said "to pour the wine to Zeus,"
22 XXV  |      assuming that the poet has said whatever they happen to
23 XXV  |      appeal to what is commonly said to be. In addition to which,
24 XXVI |      the Scylla. Tragedy, it is said, has this same defect. We