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 1 VI   | Reversal of the Situation, and Recognition scenes—are parts of the
 2 X    |      the Situation and without Recognition~A Complex action is one
 3 X    |        by such Reversal, or by Recognition, or by both. These last
 4 XI   |      killed and Lynceus saved.~Recognition, as the name indicates,
 5 XI   |      fortune. The best form of recognition is coincident with a Reversal
 6 XI   |       in a sense be objects of recognition. Again, we may recognize
 7 XI   |        a thing or not. But the recognition which is most intimately
 8 XI   |       is, as we have said, the recognition of persons. This recognition,
 9 XI   |   recognition of persons. This recognition, combined with Reversal,
10 XI   |       bad fortune will depend. Recognition, then, being between persons,
11 XI   |      may be necessary that the recognition should be on both sides.
12 XI   |     letter; but another act of recognition is required to make Orestes
13 XI   |  Reversal of the Situation and Recognition—turn upon surprises. A third
14 XVI  |                       XVI~What Recognition is has been already explained.
15 XVI  |      is most commonly employed—recognition by signs. Of these some
16 XVI  | skilful treatment. Thus in the recognition of Odysseus by his scar,
17 XVI  |        a less artistic mode of recognition. A better kind is that which
18 XVI  |       and weeps; and hence the recognition.~The fourth kind is by process
19 XVI  |   there is a composite kind of recognition involving false inference
20 XVI  |     seen; and to bring about a recognition by this means—the expectation
21 XVII | reveals who he is. The mode of recognition may be either that of Euripides
22 XVIII|  Reversal of the Situation and Recognition; the Pathetic (where the
23 XXIV |       the Odyssey complex (for Recognition scenes run through it),