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 1 III  |       only by those of Greece proper, who allege that it originated
 2 IV   |      has as yet perfected its proper types or not; and whether
 3 VI   |   pity and fear effecting the proper purgation of these emotions.
 4 VII  |        let us now discuss the proper structure of the Plot, since
 5 VII  |  roughly, we may say that the proper magnitude is comprised within
 6 XIII |   true tragic pleasure. It is proper rather to Comedy, where
 7 XIV  |        but only that which is proper to it. And since the pleasure
 8 XIV  | incident is outside the drama proper; but cases occur where it
 9 XVII |       working it out with the proper diction, the poet should
10 XVII |       he is lifted out of his proper self.~As for the story,
11 XVII |  coming is outside the action proper. However, he comes, he is
12 XVIII|       a portion of the action proper, to form the Complication;
13 XVIII| length, each part assumes its proper magnitude. In the drama
14 XXI  |      altered.~By a current or proper word I mean one which is
15 XXI  |  adding the term to which the proper word is relative. Thus the
16 XXI  |       of that term one of its proper attributes; as if we were
17 XXII |    which uses only current or proper words; at the same time
18 XXII |    and mean, while the use of proper words will make it perspicuous.
19 XXII |  replace it by the current or proper term, the truth of our observation
20 XXII |      These are the current or proper, the metaphorical, the ornamental.~
21 XXIII|      and produce the pleasure proper to it. It will differ in
22 XXIV |     teaches the choice of the proper measure.~Homer, admirable
23 XXVI |    pleasure, but the pleasure proper to it, as already stated—