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 1 I    |         the medium of color and form, or again by the voice;
 2 IV   |         alone combined dramatic form with excellence of imitation
 3 IV   |         was a larger and higher form of art.~Whether Tragedy
 4 IV   |   changes, it found its natural form, and there it stopped.~Aeschylus
 5 IV   |  diction of the earlier satyric form for the stately manner of
 6 V    |      the "iambic" or lampooning form, generalized his themes
 7 V    |       meter and is narrative in form. They differ, again, in
 8 VI   |       parts of the play; in the form of action, not of narrative;
 9 XI   |        or bad fortune. The best form of recognition is coincident
10 XV   |     reproducing the distinctive form of the original, make a
11 XVI  |       First, the least artistic form, which, from poverty of
12 XVIII|        of the action proper, to form the Complication; the rest
13 XX   |          but only one which can form part of a group of sounds.
14 XX   |  distinguished according to the form assumed by the mouth and
15 XX   |        A sentence or phrase may form a unity in two ways—either
16 XXI  |       quadruple, or multiple in form, like so many Massilian
17 XXI  |      which part of the ordinary form is left unchanged, and part
18 XXII |        the practice in the very form of his diction, as in the
19 XXIII| imitation which is narrative in form and employs a single meter,
20 XXIV |          owing to the narrative form, many events simultaneously
21 XXIV |    point in which the narrative form of imitation stands alone.
22 XXVI |          if it were cast into a form as long as the Iliad? Once