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 1 VI   |            mean the arrangement of the incidents. By Character I mean that
 2 VI   |                is the structure of the incidents. For Tragedy is an imitation,
 3 VI   |              to the actions. Hence the incidents and the plot are the end
 4 VI   |               artistically constructed incidents. Besides which, the most
 5 VIII |             infinitely various are the incidents in one man’s life which
 6 VIII |              the mustering of the host—incidents between which there was
 7 IX   |               Agathon’s Antheus, where incidents and names alike are fictitious,
 8 XI   |               outcome of the preceding incidents is that Danaus is killed
 9 XIV  |             must be impressed upon the incidents.~Let us then determine what
10 XIV  |                history contains moving incidents like these.~Enough has now
11 XIV  |        concerning the structure of the incidents, and the right kind of plot.~
12 XVI  |             that which arises from the incidents themselves, where the startling
13 XVIII|              Unraveling or Denouement. Incidents extraneous to the action
14 XVIII|           Complication consists of the incidents presupposed in the drama,
15 XIX  |              evident that the dramatic incidents must be treated from the
16 XIX  |            only difference is that the incidents should speak for themselves
17 XXIII| over-complicated by the variety of the incidents. As it is, he detaches a
18 XXIV |               Take even the irrational incidents in the Odyssey, where Odysseus