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 1 VI   |           the aid of song.~Now as tragic imitation implies persons
 2 VI   |         not produce the essential tragic effect nearly so well as
 3 IX   |          as cause and effect. The tragic wonder will then be greater
 4 XIII |           the distinctive mark of tragic imitation. It follows plainly,
 5 XIII |            it possesses no single tragic quality; it neither satisfies
 6 XIII |          worked out, are the most tragic in effect; and Euripides,
 7 XIII |        yet is felt to be the most tragic of the poets.~In the second
 8 XIII |           derived is not the true tragic pleasure. It is proper rather
 9 XIV  | indifferent persons. But when the tragic incident occurs between
10 XIV  |         is shocking without being tragic, for no disaster follows
11 XIV  |           subjects to impress the tragic quality upon their plots.
12 XVIII|        popular taste—to produce a tragic effect that satisfies the
13 XXIV |     improbable possibilities. The tragic plot must not be composed
14 XXVI |        raised whether the Epic or Tragic mode of imitation is the
15 XXVI |        view was held of Pindarus. Tragic art, then, as a whole, stands
16 XXVI |       much may suffice concerning Tragic and Epic poetry in general;